FILM REVIEW: Will THEY/THEM make you a convert?
By Arnold Wayne Jones
The genius of Jordan Peele’s Get Out was his brilliant conceit to disguise a social satire about race behind the genre of a horror film. Peele set up his audience to expect racism, then masked it with a facade of woke tolerance, where gaslighting rises to the level of psychological torture. Of course, the pitfall of that idea is, it is lightning in a bottle: Once you figure it out as an artist, the audience figures it out, too, and it’s hard to revisit that trough again. (Once The Sixth Sense gave us its twist, could anyone ever do “he was dead all along” and not come off as derivative?)
They/Them has to confront a similar anxiety of influence: It’s basically the queer version of Get Out, and once I tell you that, can you really be surprised?
On the surface, at least, it does a pretty good job of creating that off-balance atmosphere: A busload of queer teens of all identities reluctantly arrive at Camp Whistler, what purposes to be a “gay conversion” camp – a phrase so full of repugnance it’s difficult to imagine anyone except the most extreme of homophobes being comfortable saying those words. The camp’s owner is Owen, played by the appropriately reptilian Kevin Bacon, an actor who effortlessly can seem creepy, menacing and friendly almost entirely by the context you put him in. Owen’s welcome speech makes it sound like this is not a conversion camp at all, but a journey of self-discovery: He’s tolerant of the trans-identifying Jordan (Theo Germaine), he avoids bible-thumping and constant indoctrination, he seems kinda hip. It throws off the campers, some of whom want to be there for their own sakes, not their parents.
But the reality is very different, and underneath we see the hypocrisy and the tension. We know something is afoot; you can’t have seen a horror movie, especially one set at a summer camp, and not be attuned to the tropes of the suspicious handyman, the strange shapes and sounds in the dark, the vulnerability of the shower cabin…. Not to mention the seemingly unrelated but bloody murder in the opening scene. Writer-director John Logan hits these touchstones like a batter hitting each bag as he’s rounding the bases, which is what you want in a genre film, but maybe not so much in a revolutionary issue drama where tropes become cliches. Logan is one of the most respected screenwriters in Hollywood (Gladiator, Hugo, The Aviator) but this is his debut as a director, and his inexperience shows. The performances are perfunctory and the visual adequate and underlit. The film gets stuck in the Sunken Place and struggles to get out to assert an identity of its own.
But is it fair to compare – or at least, as long as you can enjoy a film on its own, does it matter that it doesn’t rise to the level of a genre-defining modern classic? Well, sorta. The similarities are so obvious (a lead character named Jordan? Peele’s last film was Us and now we have They/Them?) it seems to invite comparisons. Do I respect applying the thoughtfulness of Get Out to a gay theme? Sure, despite how humorless and preachy it gets by the end. But as a slasher film, They/Them is clunky and uninspired. I wouldn’t check into this camp.
They/Them premieres Aug 5 on Peacock.