Wes Smoot 12/28/23 Wes Smoot 12/28/23

Saltburn | Movie Review by Arnold Wayne Jones

Sick Burn

Saltburn Wallows in the Inevitability of Its Own Twisted Vision of the World

Review by Arnold Wayne Jones

Emerald Fennell has only written and directed two feature films, but that’s enough for her to carve out a distinctive style… but also enough to become slightly predictable. She seems to take Aristotle’s dictum – that the best stories’ endings are both surprising and inevitable – profoundly to heart. In her acclaimed debut, Promising Young Woman, she told the story of Cassandra (Carey Mulligan), a woman who turns past trauma into a mission to seek vengeance against any men who exploit or assault women. Cassandra isn’t a murderer (her revenge is more of the cautionary “taste of your own medicine” variety) but we know from the start she’ll save the best for a gloriously over-the-top last – that’s the”inevitable” part. (Fennell even named her after the Greek mythological seer, who prophesied the future even though nobody ever believed her.) What we are surprised by (spoiler alert here) is that Cassandra’s plan goes off course and she herself ends up murdered well before the denouement – that’s the “surprise.” Delicious ending? Sure. But also a little unsatisfying – a bittersweet dessert, like a dark chocolate torte or lemon pie.

Her latest, Saltburn, is more sure-footed directorially, but like PYM, the ending is not a great surprise, though the journey often can be.

Fennell has shifted her focus from a disturbed woman to an even younger, even more disturbed man. The great, unsettling Barry Keoghan plays Oliver Quick, a scholarship-kid attending Oxford University, surrounded by nothing but spoiled rich kids who can’t resist maximizing their dickishness whenever he’s near them It’s not enough that they are privileged brats who could afford to show a little grace; they’re also attractive and clever and cool, and Oliver longs to be included in their world. Like an abused mutt, he slowly ingratiates himself to the athletic ringleader, Felix Catton (Jacob Elordi). Felix is gorgeous and charismatic but also a softie, and he becomes curious about this kid from the other side of the tracks. By social osmosis, Oliver is begrudgingly accepted into the fold by everyone except Farleigh (Archie Madekwe), himself a cash-poor relation of Felix, dependent in part on his family’s largesse. Oliver wheedles an invitation to Felix’s family estate, named Saltburn, for the summer, and there the sweet, unsuspecting naif mounts his grand scheme to be welcomed into class of the landed gentry.

None of this is unexpected – we suspect from the opening moments (the story is narrated by Oliver in flashback) that he had, and likely achieved, his master plan of social climbing. Many of the smaller twists along the way – specifically, Oliver’s life story predictably reveals itself as intentionally constructed, and not as dire as he pretends – don’t really catch us off guard, as Fennell’s track record or projecting her twists clues us in. And yet, the script does take some wild swings, basically by leap-frogging around plot points – even developments the audience may anticipate come at unexpected moments. (Calling the antihero lead Oliver Quick is a not-too-subtle mashup of Oliver Twist and his own improvisational machinations.) Ultimately, virtually every character ends up more or less where we would have imagined they would. But oh how fun it is getting there.

Fennell’s acid-tongued take on British society is so specific, it matters little that it might not be super fresh and inventive. She pulls no punches.

The first thing we notice is her decision to shoot the film in Academy ratio instead of widescreen, giving it the voyeuristic quality of a hi-def home movie. Then the tight editing, lavish production design and rich musical score elevate the proceedings.

Then, of course, there’s the dialogue, which crackles with secondary, even tertiary layers in the character-driven portrait of class differences. Unspoken tensions and rivalries lurk under the battle between the haves and have-nots. Throwaway lines end up being some of the smartest bits, and darkly funny meta commentary.

The casting, and the performances she extracts from everyone, push Saltburn from predictable social satire to compelling art film. Keoghan has only been around a half-dozen years, but since his breakout role in The Killing of a Sacred Deer, and continuing through The Batman and The Banshees of Inisherin, he’s proven himself a resourceful and edgy character actor whose protean face both hides and reveals a tremendous amount of emotional depth. The Catton clan (Elordi, mom Rosamund Pike, dad Richard E. Grant, sister Alison Oliver) all function as “types” – rungs in Oliver’s ladder of success – but they deliver the goods. The homoerotic undercurrent suffuses the entire film with a dangerous, outsidery vibe.

Fennell may rely on a smallish bag of tricks to tell her tales, but Saltburn shows she’s talented enough to turn those gimmicks into something unusual in cinema today – an outcome that is as inevitable as it is surprising.

Wes Smoot 4/25/23 Wes Smoot 4/25/23

Billy Eichner and Dyllón Burnside Join Unleashed LGBTQ Live Event - September 2023

Joining a Powerful Lineup of Talent, including Antoni Porowski, Indya Moore, Shangela, and other Industry Leaders making Noise in the LGBTQ+ Market

DALLAS — APRIL 25, 2023 — Unleashed LGBTQ, a first-of-its-kind conference and entertainment festival creating a space for brands, artists, and LGBTQ+ professionals to connect, is thrilled to announce new talent joining its lineup, including Billy Eichner and Dyllón Burnside, for its first live and in-person Unleashed LGBTQ 2023 conference, taking place at Gilley’s in Dallas, Texas, from September 22 - 24, 2023. Unleashed event organizers also welcome iHeartMedia back as media partners to activate the programming as the official audio partners for the festival’s first ever in-person event.

"Our first live, in-person, event is going to create a synergy between talent, the business community and the entertainment industry in a way no LGBTQ+ event has ever done before,” said Founder, Wesley Smoot. “Companies sending representatives to our event will be able to take advantage of all opportunities available, whether it’s for educational purposes, networking or entertainment, LGBTQ+ professionals or others focused on allyship, will reap the benefits of our educational and entertainment-based lineup. We have dedicated an entire area to workshops for attendees to learn new skills from today's thought leaders and we’re confident companies sending entire departments to Unleashed LGBTQ 2023 will have a more informed, supercharged team that will be lightyears ahead of other brands.”

Each day at Unleashed LGBTQ will begin with educational topics — from workshops and panels discussing business (advertising, marketing, DEI), society (non-profit, advocacy), and personal (financial planning, continuing education) development – and will feature high-tech brand activations and experiential marketing installments throughout the venue, before transitioning to entertainment that will include screenings, drag shows, stand-up comedy, and musical performances. Attendees will be enriched by professional development and networking opportunities through the Unleashed LGBTQ event app (developed by WebEx/Cisco) and at specialized mixers and unique branded activations through the award-winning Freeman event services.

The growing lineup of talent will include:

● Billy Eichner Co-writer and Star of Bros (Universal Pictures), Billy on the Street, The Lion King (Disney), American Horror Story (FX), Difficult People (Hulu)

● Antoni Porowski Emmy-Award Winning Show Queer Eye (Netflix), Host of Easy Bake Battle (Netflix), Author of Antoni in the Kitchen & Antoni: Let's do Dinner

● Indya Moore Emmy Award-Winning Show POSE, Yves Saint Laurent Cosmetics, Aquaman and the Lost Kingdom

● Shangela Emmy Award-Winning Shows We're Here (HBO), RuPaul's Drag Race, & RuPaul's Drag Race All Stars (MTV)

● Dyllon Burnside Emmy Award-Winning Show Pose,Emmy Award-Winning Show POSE, Emmy-Award winning PBS docuseries PRIDELAND, Golden Globe nominated limited series MONSTER. GLAAD & HRC award recipient

● Daniel Franzese, Mean Girls (Paramount Pictures), Ru Paul's Drag Race (MTV), Looking (HBO)

● Kelly Ann Winget, Founder & CEO of Alternative Wealth Partners, Over $1B in private equity raised, Host of The Wealth Alpha podcast, and Author of Pitch the Bitch (April 2023)

● Brian Sims, Former Penn State Rep., LGBTQ+ Advocate & Speaker, Managing Director of Government Affairs & Policy at Out Leadership, Board Member at Campus Pride & GLSEN

● Naomi Green, MBA Speaker, Marketer, Professor, and Transgender Advocate

● Ashley Brundage, President & CEO of Empowering Differences, Author of Empowering Differences, Transgender Advocate, Former DEI Vice President at PNC Bank, Mother

● Dr. Carlton Thomas, Gastro-Intestinal Medical Doctor, Social Media Sensation, Contributor to Men's Health Magazine, LGBTQ+ Consultant to the White House & the CDC

● Matt Skallerud, Founder & President of Pink Media, Host of #iLoveGayToday, former President of IGLTA, Award-Winning Online Marketer connecting businesses to the LGBTQ+ consumers

● Vicky & Charisse Pasche, Co-Founders of Dapper Boi – body-inclusive and gender-neutral apparel – Marketing, Sales, and Entrepreneurial Experts, Wives and Mothers of Twins

● Stacey Stevenson, CEO of Family Equality, Co-Founder of The Changists (Law Firm Consulting), LGBTQ+ Activist, Speaker, Mother of Two

● Gary Sanchez Sr., Director of Community Impact at Visit Dallas, Former Chairman at North Texas LGBT Chamber of Commerce, Chairman at Chamber Foundation

● Brad Pritchett, Award-Winning Marketing Executive, Chief Experience Officer at DMA (Dallas Museum of Art), Host of The Good, The Brad, & The Ugly podcast

Unleashed LGBTQ is also partnering with the iconic Alamo Drafthouse to host screenings of new LGBTQ+ content from streaming services, movie studios, and television networks. Independent filmmakers can submit works for Unleashed LGBTQ 2023 Film Festival at:

https://www.filmfreeway.com/unleashedlgbtq

Unleashed LGBTQ, LLC is proud to have received support, endorsements, and/or grants from the following organizations: DTPID (Dallas Tourism Public Improvement District), Visit Dallas, North Texas LGBT Chamber of Commerce, NLGCC (National Gay & Lesbian Chamber of Commerce), & IGLTA (International Gay & Lesbian Travel Association).

Other partners include Gilead Sciences, iHeart Media, equalpride, and Kelly Ann Winget.

About UNLEASHED LGBTQ, LLC

Unleashed LGBTQ, a space for brands, entertainers, and LGBTQ+ professionals to connect, will host its inaugural, live event September 22nd - 24th, 2023, in Dallas, Texas. Attendees can learn about the latest products, services, and campaigns debuting in the LGBTQ+ market in a fun and interactive environment. Unleashed LGBTQ provides premier networking opportunities for professionals in a variety of industries. Unleashed LGBTQ will host speakers, panels, and performances from some of the biggest names in LGBTQ+ culture, including film, television, music, and business. Stay tuned for additional Talent announcements.

Tickets are currently on sale on the event website here: https://www.unleashedlgbtq.com For more information on partnerships and company group rates visit: www.unleashedlgbtq.com

CONTACT:

Nicole Rodrigues

NRPR Group for Unleashed LGBTQ

Nicole@nrprgroup.com

424-421-9610

To request press credentials email:

press@unleashedlgbtq.com

Wes Smoot 6/9/22 Wes Smoot 6/9/22

Mr. Man Unveils “Battle of the Streaming Services” Pride Guide

Netflix Wins Title of Streamer with the Most-Gay Content

This Pride, Mr. Man is pitting the top streaming services up against one another to determine which network is the gayest with the best male nudity. The editorial team at Mr. Man had the laborious task of combing through all of the content on Netflix, Hulu, HBO, Showtime, and Prime Video to find their gayest titles. They then went even further, counting the number of intimate gay scenes within each title! Results for “Mr. Man’s Battle of the Streaming Services” Pride Guide were broken down into four categories: the series with the Most Gay Scenes, those with the Most Nude Scenes, and those with the Most Full Frontal and the Most Butt Scenes.

Netflix wins the Most Gay Scenes category. It comes as little surprise as Netflix is the network behind such LGBTQ hits as Grace and Frankie, Orange Is the New Black, Queer Eye, and its latest phenomenon Heartstopper, starring cutie Kit Connor. But it is the network’s other Kit, Kit Williamson, who stars in its gayest title. With 28 steamy gay scenes in it, Eastsiders, the popular series about a tangled web of gay relationships, has the distinction of being the gayest title on the gayest streaming network.

HBO comes in second place with 128 gay scenes, 17 of which come from Looking, HBO’s very first series to center around the lives of gay men. The show starring Jonathan Groff, Russell Tovey and Murray Bartlett enjoyed two seasons and a TV movie and nearly every episode featured a steamy gay scene.

In the Most Nude Scenes category, Netflix once again dominates with over 700 male nude scenes! El Marginal, the Argentinian cops-and-criminals show tops all other series with 28 scenes, ten of which are full frontal. Elite, its teen series features the most rear scenes with 26 bare bottoms!

HBO comes a close second in the Most Nude Scenes category with Oz, the series about inmates and correctional officers battling for power and survival, scoring the most naked scenes on the network. Mr. Man counts 72 nude scenes in Oz, with 43 being full frontal! In fact, the one category HBO leads in “Mr. Man’s Battle of the Streaming Services” is in Most Full Frontal Scenes, and it is in large part thanks to Oz.

Showtime, the network that introduced Queer as Folk to the world, ranks as the #3 streaming service in all categories in the battle. It’s show, Shameless, features male nudity in nearly every one of its 134 episodes and Gigolo, it’s reality series about real life escorts in Sin City, is second only to Oz for its number of full-frontal scenes.

Prime Video and Hulu consistently rank at the bottom of “Mr. Man’s Battle of the Streaming Services” Pride Guide but special recognition goes to Prime Video’s El Juego de las Llaves, the only series to be named in all four categories, and to Hulu, for scoring big in gay hearts with its two endearing series, Love Victor and Normal People.

All scenes featured in “Mr. Man’s Battle of the Streaming Services” Pride Guide are viewable in their entirety with free signup at https://www.mrman.com/promos/tv-pride-guide.

Wes Smoot 6/2/22 Wes Smoot 6/2/22

First-Look Images for Billy Porter’s Directorial Debut ANYTHING’S POSSIBLE – Globally on Prime Video July 22

Launching Globally on July 22 Exclusively on Prime Video

Anything’s Possible is a delightfully modern Gen Z coming-of-age story that follows Kelsa, a confident high school girl who is trans, as she navigates through senior year. When her classmate Khal gets a crush on her, he musters up the courage to ask her out, despite the drama he knows it could cause. What transpires is a romance that showcases the joy, tenderness, and pain of young love.