BILLBOARD MAGAZINE’S “DANCE MUSIC ARTIST OF THE DECADE” RELEASES SUMMER SMASH
Kristine W’s “By My Side” is the Second Single from Her Upcoming Album
Kristine W, the 8th Greatest Dance Artist of All Time, according to Billboard Magazine, is lighting up dance floors this summer with her new single, “By My Side”, the second soulful pop groove from her soon-to-be-released album. The song is a celebratory homage to the people in our lives who give us unconditional love, support and friendship, no matter the circumstance. “My grandmother used to caution me about investing too much time in fair weather friends,” Kristine W recalls. “I didn't understand what that really meant until I got older, but now, I see. Loyalty is a rare characteristic. Many folks treat others as disposable. They don't take the time to nurture a friendship or love interest. When you find that person who is willing to stick by you, cherish them. They are greater than gold.” Kristine W’s “By My Side” is being distributed globally through The Orchard.
Kristine W says she learned about the importance of supportive friends and family on the oncology floor of UCLA. “When I was battling leukemia, I couldn't see anyone for months at a time because my immune system was so weak from the many rounds of chemotherapy,” she says. “The treatments are so very difficult and there were many times I wanted to give up but my family and close friends kept me strong and inspired me to fight. There is just something about having people there to cheer you on that makes all of the difference.”
Kristine W wrote “By My Side.” James Hurr, one of the masters of UK House, produced the original track along with Smokin Jack Hill, John Keenan, and Dirty Disco’s Matt Consola.
Kristine W hails from Pasco, Washington. After winning titles as Miss Tri-Cities and Miss Washington and placing first in the talent competition at the Miss America pageant, she went on to pursue her educational and musical dreams in Las Vegas. There, she found success headlining her own show at the Las Vegas Hilton, winning several 'Las Vegas Entertainer of the Year' awards and being officially sanctioned as the entertainer who performed more live shows at the Las Vegas Hilton than any other performer in its history, including Elvis. The award led to June 28th being officially sanctioned Kristine W Day in the state of Nevada.
She began recording pop, R&B and dance tracks in the nineties. “Feel What You Want” was her first single to reach #1 on Billboard in 1994. Since then, Kristine W has had a steady flow of chart toppers. “Stars,” from her 2019 album, Issues Episode 1: Love and Lies was her 17th Billboard #1. She now ties Mariah Carey for the sixth-most No. 1s since the chart’s August 28, 1976, inception. Madonna leads the chart with 46.
With all of her success, the artist admits the last few years have been difficult. “The passing of my mom and my sister has been debilitating. They were my wing women throughout my life. I could always count on them to be there for me, by my side.”
She hopes the song serves as a reminder to all that we are in the ‘Land of the Living’ ¾ a reference to her debut album and 1996 hit that Billboard Magazine called “a melancholy pop/house anthem that beautifully showcases her formidable pipes and dramatic flair” ¾ for a short time. She insists, “It is important that we tell all of the angels in our life that we love and appreciate them.”
Dallas fans can see her live at MetroBall this Friday? Here’s info on the party:
https://www.eventbrite.com/e/metroball-2023-tickets-493985813867
Kristine W’s “By My Side” is available now on all digital retailers via Kristine’s own imprint, Fly Again Music Productions. Fly Again Music is a diversified entertainment company devoted to producing, uncovering and revitalizing the very best of dance, pop and jazz culture. For more information on Kristine W and her music, visit http://kristinew.com.
Texas-based queer artist and activist Caleb De Casper performs and speaks at SXSW 2023
The "budding star" will play 6 official and unofficial shows and speak at a panel on LGBT rights
Since Caleb De Casper's last SXSW, the artist was named KUTX Artist Of The Month, co-headlined a Pride festival, had his ACL Fest performance named a "Most Memorable Moment" and the City of Austin declared April 21st to be "Caleb De Casper Day". On the other hand, homophobic trolls had a field day when City Council member Chito Vela posted a congratulatory photo of himself with the artist, but Vela and De Casper had the last laugh when as a result, "Y'all Means All Day was declared" and the debacle ended up in Teen Vogue. The incident made the classically trained musician even more determined to speak out for queer rights and he will be doing just that at a panel put together by the Austin LGBT Chamber of Commerce. As a resident of Texas which is rife with anti-gay legislation, he has plenty to say.
And of course there will be plenty of opportunities to see the artist perform live at SXSW this year, six in fact. And De Casper's live shows are legendary, complete with costumes, props, theatrics and plenty of audience participation. For proof, here is some further reading...
"If theatrics are what you are after, don't miss this performance."- CultureMap
"Peering sharply over Fifties-style sunglasses, De Casper connected to adoring fans through fluctuating electronic beats and audacious flair. With feather boas, pom-poms, and tantalizing phantasmagoria, the 'Real Girl' showed the tenacity of a true superstar." – Alyssa Quiles, Austin Chronicle/Alternative Press
"De Casper’s most notable live performance was a wild, sold-out show at Mohawk last October with NOLA Bounce queen Big Freedia. It was clear they won over the audience with a stellar performance."- Glide Magazine
Caleb De Casper's glam rock show is both over the top and sensational. The gifted songwriter has a knack for incredible live performances.”- Cosmic Clash
Photo by Ismael Quintanilla
It’s Here! Ben Bakson Releases “You Got Me”
An Original Club Track Featuring Vocals by OMEO
*Remixes by GSP, JUNYO, Mauro Mozart, Elof de Neve and Dan Slater *
DJ Ben Bakson is out now with ‘You Got Me’, an uplifting original club track that features the incredible vocals of pop singer OMEO. It encourages listeners walk away from toxic people that keep them from achieving their life goals. “The song is about leaving the past behind and moving towards a happier, freer self,” Bakson explains. “It’s about finding peace within and taking back your power.” OMEO wrote the song and Ben Bakson produced its radio edit and original club remix. To support the single, Bakson is also releasing a dance package of ‘You Got Me’ with additional remixes by Dan Slater, GSP, Elof de Neve, Mauro Mozart & JUNYO. All are available on Apple Music, Spotify and all digital platforms.
“I’ve known OMEO for many years but when we ran into each other at this year’s Mardi Gras in Sydney, I knew it was kismet,” Bakson continues from his Miami home. He says the song’s story is one he can relate with. “I’ve had so many naysayers tell me I couldn’t do this or I was too young to do that. I have gotten rid of them all. If there is one thing I’ve learned, it is how important it is to surround oneself with positive people that encourage you to go to the distance. Anything worth achieving is going to take blood, sweat, tears and a whole lot of optimism.”
Ben Bakson grew up as an only child with two parents in a small village in south Germany where he enjoyed watching movies, listening to music and long days at the lake or sea with family and friends. At 18 years old, he moved to Berlin to study Economics and after graduating, he landed a marketing job at a large firm. It was only then that he began dabbling in music production.
His music style is commercial with hard, emotional, and energetic beats. Vocals are important to Ben as he believes that they are the soul of every song. In addition to his original compositions, he is noted for re-working famous songs from the 80s and 90s, as he did recently with Cutting Crew’s “(I Just) Died in your Arms”. “It’s fun to recreate past hits with fresh vocalists and modern, driving melodies,” Ben Bakson says.
OMEO is a pop singer from Sydney, Australia. His signature sound is one of smooth tones and warm vocals over electronic beats. He grew up singing a mix of Soul, R&B, gospel, and pop music. His name is indigenous and means ‘mountains’. It is a reminder to the artist that every mountain top is within and it is important to keep climbing. OMEO lives by the quote “The best view comes after the hardest climb”.
Ben Bakson is currently on a world tour. He premiered “You Got Me” at his recent parties in Sao Paulo, San Francisco, Washington DC and NYC. His next events will be in Madrid, Panama, Mexico City, and Dallas. “I can’t wait to open my sets with ‘You Got Me’ because it’s the best feeling in the world to see crowds enjoying music I have made.”
Ben Bakson’s “You Got Me” featuring OMEO is available now on Apple Music, Spotify and all platforms
Jake Wesley Rogers Interview | Austin City Limits
Interview by: Wesley Smoot
Jake Wesley Rogers. If you don’t know the name already, you will. He’s an absolute powerhouse— singer, songwriter, showman, and a master on the keys. At 25 years old, he’s done Madison Square Garden (opening for Panic at the Disco), has been a musical guest on The Ellen Show, and currently has a track featured on the major Universal Pictures rom-com, Bros. His lyrics transcend generations with a kind of depth you’d find hard to believe is coming from someone his age.
I got the chance to chat with Jake Wesley Rogers at Austin City Limits.
Pinkies up, now sip!
Jake Wesley Rogers by Chad Wadsworth for ACL Fest 2022
Weslo: Howdy ya’ll, this is Wesley Smoot (Weslo) with Unleashed LGBTQ, in Austin, Texas at ACL– today I get the chance to sit down with Jake Wesley Rogers. How’s your ACL?
JWR: Hey! It’s very hot. Literally. But it has been so much fun.
Weslo: So freakin’ hot. Texas heat!
Well the crowd obviously loved your performance. What are your thoughts on Texas, besides the heat?
JWR: Well, I'm from Missouri, so I understand what it means to come from a complicated place, but I’m always astounded by how much love there is, even in a state where there is a lot of bullshit going on.
Weslo: It’s a big state with lots of fabulous folks, I’m glad you get to see there are all kinds, plenty of like minded people.
JWR: Of course. You sometimes have to remind yourself, we’re everywhere and we’re not going anywhere. So, I’ll always keep coming back.
Weslo: Please do.
I have to talk to you about the movie Bros with Billy Eichner. One of my favorites of the year, not just because it’s a gay film, but it’s just so well done. You have a song featured in the movie— your single Hindsight. What’s it like having your music on such a groundbreaking film?
JWR: It was mind-blowing to hear my song in a movie theater and be part of such a historical film. I would actually call it a surreal moment for me.
Jake Wesley Rogers & Wesley Smoot in Media Tent at Austin City Limits 2022
Weslo: So you’re on the cover of The Advocate this month, it seems like you’re well on your way to becoming a LGBTQ+ icon. How does that feel?
JWR: I don’t want to speak for anyone. I can only tell my story, I do that on purpose. Tony Morrison says “The function of freedom is to free someone else” so I think if I show up, even if I’m not feeling confident, tell my story, the hope is to allow anyone to feel free to be themselves, because that makes everything better.
Weslo: I agree 100%.
I know some LGBTQ+ artists might not care to be labeled or pigeon-holed as a gay artist, I’m sure with you, there’s a lot of crossover with other demographics.. I mean, you have been opening for Panic at the Disco. Have you seen your fanbase grow with the non-LGBTQ+ audiences?
JWR: I'm always surprised how many straight people are at my shows. I think my favorite thing about being queer is that it shows very explicit on the outside. But we all feel different, excluded, even if only to some degree. I think we’re the superheroes that have no choice but to show it.
Weslo: Well you really go into that with your song Pluto. Which I love by the way.
JWR: Yes! Exactly, and thank you. That is very much what the song is about, using Pluto as a metaphor, as the outsider. And just giving everyone permission to embrace it because I think that’s how things change, when everybody realizes we have this tendency to hide something. It’s the queer life. We’re accustom to it and learn it at such an early age. But not only us, everyone feels that on some level, we’re just the lucky, fabulous, beautiful ones that get to show others that it's ok. It’s ok to be free.
Austin City Limits 2022 | Jake Wesley Rogers | Photo Credit: Jakob Wandel
Weslo: Inclusion is incredibly important. I think ACL, it’s organizers, and bookers do an amazing job bringing in queer artists. I have been able to see so many over the last few years. Did you get to see anyone here? Lil Nas X? Boy George, Izzy Heltai?...
JWR: Sadly, because of the tour, no. We have been doing red-eyes to come in and make these events. Usually I come in, play, and go to bed (laughing). So I’m sad I missed Lil Nas X but hoping to catch Kacey Musgraves tonight.
Weslo: That will be a great show.
You covered I’ll Stand by You by The Pretenders. You did it magnificently. It has millions of streams… Do you plan on covering any other artists' songs in the future?
JWR: That’s a great question.
We have been covering Welcome to the Black Parade (My Chemical Romance) on the tour. But we’ll have to see. I enjoy singing so many… I’ll keep you posted.
Austin City Limits 2022 | Jake Wesley Rogers | Photo Credit: Jakob Wandel
Weslo: Your outfits for live shows are Everything! What inspires you in picking your wardrobe? Are you inspired by other artists?
JWR: This outfit I’m wearing now is like a red dandy number inspired by the movie The Velvet Goldmine, it’s like an unofficial David Bowie bio pic and there’s this one scene where a character is wearing this dandy outfit — I did a photo shoot for Vogue, they had me wear something similar, and when i wore it, I felt I had been there before. So I wanted to make something, something to recreate that feeling.
But you know before every tour, I think about what I want to wear, feel like, and present to my fabulous audience. But yes, I’m proud to say all the costumes from my tours are made by queer designers— which is always very exciting to me. I love a great collaboration between creative minds.
Austin City Limits 2022 | Jake Wesley Rogers | Photo Credit: Jakob Wandel
Weslo: I love that.
Many queer artists I see perform to tracks in the background. You not only have a full band but you are also slaying it on the piano. Has that always been the vision?
JWR: When it comes to music, for me personally, it’s always been me and the piano. I don’t think that will ever change. As far as having a band to perform with, it just feels right to me.
Weslo: Well, I really appreciate you taking the time to talk with us. You’re an amazing talent and we wish you all the success. You have our full support.
JWR: Thank you for that, I appreciate you as well.
Make sure to check out Jake Wesley Roger’s new EP LOVE
The EP includes two brand new songs “My Mistake” and “Call It Love” along with previous releases, “Modern Love,” “Lavender Forever,” which he performed on ELLEN, “Dark Bird” and the most recent “Hindsight” from the Billy Eichner film Bros.
Jake Wesley Rogers to Perform at Austin City Limits
Rising superstar Jake Wesley Rogers is set to play ACL both weekends with sets Sunday 10/9 and 10/16 @ 1:15pm on the Miller Lite Stage. Attendees will not want to miss this electrifying, live show.
With the release of new song “Hindsight” for gay rom-com film, BROS this past Friday, major buzz is surrounding up-and-coming queer artist and advocate Jake Wesley Rogers.
Jake released his first major-label single “Middle Of Love” last May, Paper Magazine said “Give Jake Wesley Rogers a stadium” and now he is performing in arenas across the country, opening for Panic! at the Disco.
“Hindsight” along with earlier releases from this year including “Modern Love” and “Lavender Forever” which he performed on Ellen and HBO Max’s Legendary can be found on Jake’s upcoming EP.
"My new song Hindsight is very special to me, especially since it will be the end title track in Billy Eichner’s historic new film, “Bros”—the first gay rom-com made by a major motion picture studio. I wrote it with my go-to collaborator Justin Tranter, as well as the producer, Jason Gill. The song is about looking back at the past and longing to make the future better, by actually living and loving (and dancing) to your fullest potential." – Jake Wesley Rogers
Interview coming soon.
Queer Synth-Rocker Caleb De Casper Performs at Austin City Limits Festival
Austin, Texas– Caleb De Casper, the “alternative diva crowds want to rally behind” (Austin Chronicle) will be playing Austin City Limits Festival on weekend one, Sunday, October 9th on the Barton Springs Stage at 1:15pm before synth-poppers, Muna. As always, the show promises to be spectacularly unforgettable, but De Casper and the band have new surprises in store for the ACL audience. As Culture Map declared last month, "If theatrics are what you are after, don't miss this performance." The classically-trained artist was previously scheduled for the following weekend, October 16th at 11:15am, but was moved to a more ideal time slot.
The queer, electronic glam-rocker was invited to join the lineup of the popular festival (which draws crowds of 450,000 yearly) after a whirlwind year, which included the release of his new album Femme Boy, the designation of Caleb De Casper Day by the City of Austin on April 21st and being named June Artist Of The Month by tastemaker radio station KUTX FM. The artist also performed at The Long Center for a 2,000 cap Pride event, shared the stage with Big Freedia and A Giant Dog in front of packed crowds, as well as landing notable press including Teen Vogue and an interview on one of the most popular queer podcasts in the country, Feast of Fun.
Up next for De Casper is an otherworldly video steeped in fantasy and mythology for the single “Do You Feel” directed by Mexican filmmaker Robbie Cabrera. Stay tuned…
Photo by Stephanie Tacy
Non-Binary Queer Femme Artist THE ORACLE Releases “Cloud 9 Angel” Visual
The Final Single from Debut EP, Lost Amulet
THE ORACLE returns this month with a new visual for “Cloud 9 Angel”, the final chapter of their debut EP Lost Amulet. The track is magical, dreamy, ethereal; it celebrates the abundance of nature by offering a moment of surreal escapism. Reflecting on the fantastical whimsy of the song, THE ORACLE and co-director Laura Weyl @metametagasm shot its visual in several iconic NYC locations including the Brooklyn Botanical Garden, and on the historic carousel in Prospect Park.
“We aimed to capture the crystal desert, a beautiful place of dreams, in the visual,” THE ORACLE explains. “When I think of the crystal desert, I think of Brian Froud’s Faerie realm, the sandscapes in the sci fi classic Dune, as well as the hallucinatory visual landscapes of the liquid planet in Solaris. The crystal desert can be a wondrous place, but it is also treacherous with danger lurking in hidden corners. It is best to travel over it securely with a loved one at your side.”
“Cloud 9 Angel” is one of the six tracks on THE ORACLE’s debut EP from August 2021, Lost Amulet. In the album, the nonbinary queer femme artist blends a love of poetry with soaring vocals, a futuristic sound, and deeply emotional narratives. “Cloud 9 Angel” stands apart from the other moody tracks on the EP due to the hopeless romanticism and naivete of the lyrics and sound. No other track on the EP features the bouncy glitches, progressive drums, and soaring melodies that carries this track.
“Cloud 9 Angel was written while a friend and I were on crystal cave exploration in Riviera Maya, Mexico,” THE ORACLE continues. “The song came to me with the beat, a progression of dreamy, enduring and playful love between two souls. Galen Tipton provides the production, which is a satisfying blend of drum, bass and twinkly pop beats.”
The song relates to THE ORACLE personally because they are a self-identified hopeless romantic who works to paint the reverie of love through all of their relationships. “I am deeply spiritual, a dreamer, but also woefully timid. It can be hard to relate my deepest wishes to someone I care about when there is so much fear involved. My heart wrote the song from this state of mind.”
THE ORACLE was born in Jerusalem, Israel as Julia Sinelnikova and until five-years-old, lived in St. Petersburg, Russia. Now living in Brooklyn, NY, THE ORACLE remains an artist, working predominantly in sculpture, lighting design and performance, but also currently expanding their expressiveness into recording and DJ production.Their music has become a soundscape for THE ORACLE’S video art and light art ideas to come together through performance. “I want my music to encourage psychedelic exploration, excessive dreaming, and the imagination of new, utopian and dystopian worlds,” THE ORACLE sums up. “Through listening to my songs, I aim to reveal my personas and the details of the worlds in my mind to my audiences.”
THE ORACLE is nearly ready to reveal their ORACLE666 album, the follow-up to Lost Amulet. A music video shot at THE ORACLE’s NYC studio and at The Invisible House in the Joshua Tree Desert is forthcoming, from that album.
Follow THE ORACLE on Instagram.com @ or_acle. Other links.
Miki Ratsula GeNder Neutral Cover EP ‘made for THEM’
New Project from the Trans, Nonbinary Musician Due July 8 Featuring Gender Neutral Covers Of Tracks From Harry Styles, Phoebe Bridgers & More.
Miki Ratsula has built a sizable audience by openly and honestly welcoming people into their world. The trans, nonbinary artist uses their platform to candidly document their life: from coming out to getting top surgery to their mental health journey. It’s the kind of storytelling that listeners, especially young queer kids, crave and deserve.
Ratsula will release their gender neutral covers EP, made for them, July 8 via Nettwerk. The made for them EP comes on the heels of releasing their acclaimed debut album i owe it to myself this spring. The new project was co-produced by Miro Mackie (St. Vincent, Mallrat, KALI) and features covers of songs by Phoebe Bridgers, Harry Styles, One Direction, Angus & Julia Stone and the EP’s first single, a stunning cover of Dodie’s“she.”
“When I posted my first gender neutral cover on TikTok, I didn't realize how much it would mean for so many of you. There's something special about feeling represented in music. These songs have a special place in my heart and it was an honor to put my own spin on them. I truly hope you enjoy this piece of work. And thank you to the writers and original artists for creating such beautiful songs.” made for them is available for pre-order / pre-save here: https://mikiratsula.ffm.to/madeforthemep.
made for them follows the March 2022 release of Miki’s debut album, i owe it to myself – an acoustic pop dream guided by Miki’s lush, lofi-inspired production that captures the full emotional seesaw that rocks between youth and adulthood. It’s a testament to self-love and a gift to anyone seeking the same, and sees Miki at their most vulnerable and fully realized. Their deeply intimate record touches on mental health, loss, love, and everything in between and the album’s singles received praise and playlisting by the likes of Billboard Pride, them., Under the Radar, PopMatters.
‘made for them’ track listing
01 - big jet plane (gender neutral version)
02 - cherry (gender neutral version)
03 - graceland too (gender neutral version)
04 - she (gender neutral version)
05 - steal my girl (gender neutral version)
‘made for them’ Pre-order / Pre-save link: https://mikiratsula.ffm.to/madeforthemep
FOLLOW MIKI RATSULA
Official Site | Instagram | YouTube | TikTok | Facebook
MARTINA PETRIC AND PERCY RICHTER LIT UP THE LGBTQ+ LOVE
The artist with residence in Spain and the musician located in England, featuring for the first time a song that celebrates daily love and positivity. Petric and Richter were inspired by their stories inviting us to dance, making us remember the most important: love is love, it is lightning and healing.
A dance melody produced by Petric, that gained its upbeat style fromRené Roco, in which the artists seek to convey more positive feelings about romanticism. ‘Bringing along more awareness to our LGBT+ community, we want to leave a message with our music. In this single we have decided it would be about love, intimacy, affection, understanding that we live in a complex society that most of the time we don’t allow us to love and be ourselves; society of which we were victims’, they have said.
‘If there is someone that is suffering, dealing with hate, abuse and fear, we would like them to listen to this song, understand the message, watch the video and feel a glimpse of hope, peace and affection. You are not alone, there is an enormous force that is with you’.
‘One More Night’ video clip was recorded with a hi8 camera, directed by Martina Petric. It shows daily lives of LGBT+ couples bringing us closer to the intimacy and home feeling in a potent and exciting way.
'We expect that people will dance, sing and dedicate this song'. ‘One More Night’ the desire to repeat what makes us feel good every single night.
Bobby Newberry and Fia Nyxx Offer an “Escape”
To The Dancefloor with Their Sexy New Summer Jam
Bobby Newberry and Fia Nyxx are out to make people dance, sweat, feel free, sexy and have a good time this summer. Their new single, “Escape” is a scorcher of a dance record with sultry house elements, a disco infusion and a seriously hypnotic baseline. “Honestly, I had been feeling a lot of pressure and stress from the world and everyday life,” Bobby Newberry explains when discussing the genesis of the song. “I was hearing it a lot from friends too; how there is just always something draining our energy.” He says he and Fia wanted to give party people a moment to drown out their troubles and re-energize their bodies with a good time. They wrote and produced “Escape” with their mutual friend, Sam J Garfield. “It’s about taking an emotional journey, letting go of the world and its problems, getting lost on the dancefloor and feeling alive.” Bobby Newberry and Fia Nyxx’s “Escape” is available on Apple Music, Spotify, and all digital platforms. The video is available on YouTube.
“The song writing experience was pretty magical,” Bobby Newberry recalls from his Los Angeles home. “I had the idea for the hook and I kept singing it over and over with Fia, on continuous loop, while rallying Sam to hurry in with the house drop. It was an incredible session. The vibe between the three of us was electric.
The energy resonates in the high voltage music video that accompanies the song. Filmed at Sam J Garfield’s BlackRose Los Angeles, Newberry co-directed with Logan James who also shot the video. Choreography is by Bobby Newberry, Taylor Knight and Robbie Blue.
A shoulder injury sustained by Newberry nearly shut down production on the video. “We had to adjust all the choreography and creative,” he explains. “If you watch closely, I do ninety percent of the choreography with my left arm because my right shoulder was in pain.”
Natalie Saidi styled the video and Bobby says the fashion became a whole character in itself. “Natalie took us places we had never been, fashion wise. She really made some iconic looks happen.”
His absolute favorite are the red pants with the flowing tulle. “I could hardly move in them but they were incredible!” he laughs.
Bobby Newberry began his career in the music industry as a choreographer for Eminem. He would go on to work with a string of the world’s top artists including Nicki Minaj, The Pussycat Dolls, Missy Elliot, and Lil’ Wayne. His choreography work has been seen on TV in Dancing with the Stars and X-Factor. In 2014, Bobby Newberry released his first single and music video, “Dirrty Up (featuring Jessie and The Toy Boys).” It was soon after followed by his debut EP, The Newberry Special.
Fia Nyxx recently released her sophomore album, Red Umbrella. In her music, Nyxx embraces a theatrical approach, embodying a brilliantly experimental clash of genres from rock to pop. “Fia is passionate and rockstar glamorous with such an amazing falsetto register,” Newberry says. “It was really fun to vocal produce her on this record.”
Escape is the third single from Bobby Newberry’s upcoming EP. The dancers in the “Escape” music video are Taylor Knight, Robbie Blue, Brynda Rowen, and Devin Neal.
Follow Bobby Newberry on Instagram @ bobbynewberry
FELIX III DEBUTS “THE SOUNDS I MAKE” VIDEO TODAY
Queer, Mexican-American musician and composer FELIX III releases his new video for "The Sounds I Make" today. FELIX III’s music focuses on giving into carnal pleasures at the cost of mental wellbeing – and centers around unlearning the damage caused by poverty, homophobia, higher education, heartbreak and the great sadness of not living up to the American Dream that we are conditioned to believe in as our ultimate goal.
Of “The Sounds I Make” and its accompanying video, FELIX III says: “This song is about dancing away your problems. ‘The Sounds I Make’ is my lyrical mantra. It is facing the things you aren’t happy with in your life, and letting them go. Every sound you make is a chance to grow, learn and expand your potential. I used Big Room style beats with rave-ready anthemic synths to drive the song forward, much like life. Then I used a modulating vocoder to change my voice as the song progresses like the way we change our points of view as we mature and grow wiser.
The video is shot vertically. We want you to watch it on your phone, just like everything else. “The Sounds I Make” was shot in a swimming pool, a bathtub, and at the ocean. I wanted to capture the vulnerability of being in and beside a body of water. Water can be both healing and dangerous - one minute we are floating at the top, and the next we are under the waves. Being in water is also a place where we cast aside inhibitions and expose our bodies. As the ingenue in the video, we wanted that voyeuristic side of the starlet in the swimming pool gazing at the Hollywood producer debating how far he would go to get the part.”
FELIX III is the official artist-in-residence for OUTsider Fest – an Austin-based transmedia nonprofit that celebrates the bold originality and creative nonconformity of the LGBTQ+ communities through the presentation of provocative, overlooked and out-of-the-box film, dance, theater, performance art, music, writing and visual art. Through OUTsider Fest, FELIX III will be the recipient of the NEA (National Endowment for the Arts Grant). The residency began with a performance earlier this year and will continue with the presentation of a semi-surreal feature film to be shot this year and premiere in 2023.
FELIX III will perform at Brooklyn’s 3 Dollar Bill on July 20.
Felix III: Instagram / Spotify / Apple Music / TikTok / Twitter
This Pride, Talia Keys Releases “We’re Here”
Photo Credit: Stefan Poulos
Her Call-to-Action Song and Visual Encourages Queer People
Be Proud, Keep Fighting and Shake Sh*t Up
Talia Keys is celebrating Pride month with the release of a new music video that calls for today’s queer generation to be loud and proud in who they are. Written and produced by Keys, “We’re Here” is a reggae inspired, feel good anthem that is broken into three parts. The first verse is about the internal struggles many LGBTQ youth face when their outward appearance doesn’t quite fit the societal mold. The second verse challenges them to smash the patriarchy of society’s expectations around gender binaries. Finally, the outro encourages all to own who they are because by simply existing, they are changing the world into a better place. “We need to fight the status quo,” asserts Keys, “Because like it or not, We’re Queer, We’re Here and We aren’t going anywhere.” Talia Keys’ “We’re Here” is available now on Apple Music, Spotify and all digital platforms. Its music video is on YouTube.
“I was inspired to create ‘We’re Here’ because I grew up in Mormon Utah as a closeted queer Catholic girl,” Keys reflects. “Being different in Utah put a target on me. In school, I was bullied for being a Tomboy and then I became a bully to protect my secret.” When she finally came out in her mid-twenties, Talia, a successful musician, lost fans and gigs, but she kept her drive. Today, she uses her music and performances to preach the good word of love, acceptance and fucking shit up. “I see the stage as my platform to spread awareness.”
Photo Credit: Stefan Poulos
That message is echoed in the “We’re Here” music video. It was shot in an empty theater because, as Talia explains, “Sometimes it feels empty when you come out and the support you once had is gone. As queer people, though, we learn to be strong willed and to perform with our entire heart, even if it is to an empty room.” She also wanted to shed light on the fact that queer art is suffering during the pandemic.
The video features several queer, trans, enby artists and drag queens. “We’re Here” stars Madazon Can-Can, a gender non-binary drag king, burlesque dancer and clown. “I first saw Madazon Can-Can perform at our local Pride and was captivated by their ability to entertain rowdy queers, dance burlesque, shine as a drag king and make us laugh and cry as a clown,” Talia says. “When I began visualizing the We’re Here’ video, I immediately thought of Madazon whose multifaceted talents would be able to convey the message of the song.”
Photo Credit: Stefan Poulos
She also cast local drag artists Kay Bye (they/them), Lilia Maughn (she/her/they/them) and M’Lady Wood (she/her), as well as local musician Zaza Historia VanDyke (She/Her) in the music video and assembled an all-Queer crew to shoot the video. The award-winning filmmaker Melahn Atkinson (she/they) produced, filmed and edited “We’re Here.” Talia directed, produced and acted in the video. Ismene Vetas and Marz Catrow (they/them) long-time collaborators, were the additional camera operators.
Talia Keys is an activist-musician who has enjoyed a loyal following in Salt Lake City clubs for over a decade, and has made a name for herself on national tours and jam festivals from coast to coast. Growing up, she and her brother were raised by a single mother. Her dad struggled with addiction and his battles forced Talia to grow up sooner than one would expect.
Still, she was a kid with a big imagination and whether she was pretending to be Michael Jordan or impersonating Elvis Presley, Talia could entertain herself for hours. She began piano lessons at age 9, drums at 11, guitar at 16 and mandolin at 22. Music was always very prevalent throughout her youth, beginning with The Beatles and turning to Bob Marley in middle school. Aretha Franklin, Janis Joplin, Pink Floyd, and Talking Heads were some of the other artists that played a big role in her musical development. She even had a Kris Kross phase (and yes, she wore her clothes backwards for a time). It opened Talia up to rap and hip hop and she became a huge fan of Tribe Called Quest, The Fugees and Blackalicious.
Talia Keys’ trademark fire and brimstone stage presence is an amalgam of her journey, identity, and musical influences. While her physical appearance may scream LESBO, her music does not. It presents a modern twist on the rock n’ roll troubadour singing songs of struggle and ultimately, triumph.
Talia Keys’ “We’re Here” is available now on Apple Music, Spotify and all digital platforms. Its music video is on YouTube. Visit Talia’s website and follow her on Instagram @taliakeys
Photo Credit: Stefan Poulos
Ash Gordon Releases New Single “Cosmic Colors” feat. Trixie Mattel
June 3, 2022 – LGBTQIA+ music maven Ash Gordon is making her long-anticipated debut as a solo artist with her new single “Cosmic Colors” featuring world-renowned drag queen Trixie Mattel. A feel good track complete with acid-trippy lyrics, “Cosmic Colors” brings a taste of early 2000’s girl bands and modernizes it for 2022 and is Ash’s self-proclaimed “favorite piece of ear candy ever.”
“Cosmic Colors” is available to stream now at https://distrokid.com/hyperfollow/ashgordon/cosmic-colors-feat-trixie-mattel
On the new release, Ash shares: “If Scott Pilgrim vs. The World had a female lead, this would be the song you hear when she beats the bonus level and makes out with her manic pixie dreamboat.”
“My favorite songwriter in the world has teamed up with my favorite drag queen in the world,” adds Trixie.
Alongside the release, Ash Gordon has announced that her debut solo double albums, Ash Gordon and Ash Gordon II, will be available on July 15. Complete with collaborations from Trixie Mattel, Alaska Thunderfuck, BONAVEGA, Earl St. Clair, Bob the Drag Queen, and many others, the albums provide sixteen psychedelic songs that perfectly encompass Ash’s lipstick garage-rock vision.
Ash Gordon Tracklist
1. Alright Alright Alright
2. Good On Ya
3. I Wanna Be A DJ
4. Cosmic Colors (feat. Trixie Mattel)
5. Nice Personality
6. Feel Like This (feat. Marty James)
7. YES
8. Come and Get It (feat. Earl St. Clair)
Ash Gordon II Tracklist
1. Everyone Is A Little Bit Gay (feat. Alaska Thunderfuck)
2. WIN/WIN
3. Viva Electric (feat. Bob The Drag Queen)
4. Chicka Boom Boom
5. Hit Different
6. All I See Is Gold (feat. BONAVEGA)
7. Connection
8. I Want It
Ash Gordon is a guitar slingin' New Yorker residing in LA. As founder of The Blah Blah Blahs, she's been styling songs for music artists, film, and TV over 10 years and will be making her debut as a solo artist with an upcoming lipstick garage-pop double album featuring the likes of Trixie Mattel, Alaska, BONAVEGA, and many more.
D’Arcy Releases New, Highly Anticipated Single “Crazy”
Today, NYC singer-songwriter D'Arcy shares a brand new single entitled "Crazy," alongside a music video and live video performance.
Speaking on the track, D'Arcy wrote:
"'Crazy' is about falling in love with someone and being transported into a different world where just the two of you exist. It is about wanting to feel that intense emotion no matter the cost, which sometimes can result in darkness. I really wanted the lyrics to capture what it feels like to really fall in love for the first time, where your whole world becomes this other person and you would do anything to keep that feeling alive."
On its accompanying music video, she continued:
"We spent a whole night and day shooting this video in and around Los Angeles. Is it a dream ? Is it real ? The character in the video is based on the female lead of a movie script I’m currently developing. Collaborating with director Mynxii White, she really helped me capture the fantasy elements that show the intensity of emotion the character is experiencing."
D'Arcy's debut EP, Hard to Kill, came out last year. The EP consists of six tracks, including three that are new: "Forever Numb," "Dangerous," and title track "Hard to Kill." Thematically, the EP focuses on self-empowerment, young love, addiction, and heartbreak. At times dark and moody, and at times strong and powerful, Hard to Kill is imbued with honesty, attitude and confidence, taking the listener through a range of emotions, sounds and narratives.
D’Arcy is a new alternative artist most recently deemed “our favorite thing to come out of NYC” from the ultra hip indie music outlet When The Horn Blows. Her debut EP Hard To Kill, released Aug 6 2021, has over 500k streams, and coincided with her 40 city tour across the US. The EP was also a success at college radio being spun at 65+ radio stations, and making the top 20 on over 10 stations.
“Mulit-Dimensional” and “Alluring,” D’Arcy has received incredible praise from Grimy Goods, EARMILK, Flaunt, and Under The Radar.
MEGAN THEE STALLION UNLEASHES “PLAN B” AFTER TEASING SNIPPET DURING OPENING WEEKEND OF COACHELLA
3x GRAMMY® Award-winning superstar, entrepreneur and philanthropist Megan Thee Stallion released her eagerly-awaited new single “Plan B” ahead of her upcoming set at the second weekend of Coachella.
The Houston native initially teased the track during a dazzling performance at Coachella’s opening weekend in front of hundreds of thousands of fans. The hype around the snippet, which samples Jodeci’s “Freek’n You (Remix)”with Wu-Tang Clan, quickly spread online as fans quickly clamored for Megan to drop the full-length single.
The release of “Plan B” comes on the heels of a scorching stretch for Megan, who teamed up with Dua Lipa to unleash their powerful collaboration “Sweetest Pie” in March and is now Top 10 at pop radio. She delivered a dynamic performance of “Sweetest Pie” at the 2022 iHeartRadio Music Awards, where she was also honored with the Trailblazer Award.
Megan followed her iHeartRadio Music Awards appearance with a special rendition of “We Don’t Talk About Bruno” at the 2022 Oscars that also included Encanto cast, Luis Fonsi and Becky G.
To kickoff her 2022 Hot Girl Summer, Megan will perform at the Billboard Music Awards at the MGM Grand Garden Arena in Las Vegas on Sunday, May 15, where she is also nominated for Top Rap Female Artist. She came away victorious in the same category in 2021.
Felix III Interview SXSW 2022
We got to chat with Felix III during SXSW 2022 at the iconic Cheer Up Charlies in Austin, TX. This up and coming, queer, singer/songwriter had a lot to share. We talked new single After Hours and Felix even answered fan’s questions live via Twitter.
Drag DJ-production Duo JAWBREAKERS Release Debut Music Video - "Boyfriend"
Kali Forni-Kate and Sabrina Babyslut are drag producer/DJs! Together, they are known as the Jawbreakers. In their first EP, Just A Taste - being released through Vicious Recordings, the label that discovered Avicii when he was a teenager, and released his first ten records - the duo dish out delicious dance, pop and tech house songs that reflect on their live DJ shows. "Boyfriend," the EP’s first single, is out now. It’s video emphasizes how Kali and Sabrina not only DJ their parties, they are their parties.
Just A Taste, the debut EP from the drag-duo DJ-production team known as Jawbreakers, dishes out dance, pop and tech house songs suitable for clubs and partygoers at home enjoying a late-night kiki. “The EP is a sampling platter of beats with something for everyone,” says Kali Forni-Kate of Jawbreakers. “It’s Just A Taste, because there is 100% more to come,” adds her collaborator, Sabrina Babyslut. With songs like “This Is Dirty” and “Ciao Bella,” the EP reflects the group’s live DJ shows that emphasize how Jawbreakers are not only playing the party, they are the party. "Boyfriend," the EP’s first release, is a modern-day remake of Ashlee Simpson’s 2005 hit that chronicled her stealing Wilmer Valderrama from Lindsay Lohan. The Jawbreaker version features vocals from Amunda (formerly from Operator Please). Its accompanying music video, directed by Nyssa Mitchell, conceptualized by Jawbreakers with editing and FX by Zachary McSweeney, is a technicolor dream, with Kali and Sabrina dressed in eye-catching lewks. The Just A Taste EP is being distributed through Extrovert Music, a division of Vicious Recordings, and will be available on Apple Music, Spotify and all digital platforms on April 1. Jawbreaker’s “Boyfriend” music video is available on YouTube.
Kali and Sabrina first met in 2016, performing in a Britney Spears tribute show in Melbourne. They immediately clicked as both came from similar middle-class, nuclear family backgrounds, discovered drag via their passions for musical theatre, and began their individual adventures into the art form after high school. When they learned of their shared interest in music production, they decided to join forces as a DJ duo. They bought a mixer and six months later they were in business.
“The biggest hurdle was deciding who stands where in the booth,” Kali explains. “Sabrina is left-handed and I’m right. We had to fight over who uses the left and right DJ decks. Swapping throws off our groove!”
Their Jawbreakers name harkens back to the iconic candy from their childhoods and the 1998 teen film that starred Rose McGowan, Rebecca Gayheart and Julie Benz as the “it” girl clique who reign supreme in their high school. “It’s a reflection on how the drag that we do is heavily inspired by pop culture,” Kali continues. “Like the girls in the movie, we dress to have fun and through the music we play and the energy that we exude, it makes everyone want to party with us!”
The duo has already headlined several international festivals including Sydney Mardi Gras and Milkshake Festival in Netherlands. Their next big gig will be Summer Camp Festival where they will perform alongside Years and Years, Big Freedia and The Veronicas. They are also slated to perform the next Goodlife U18 event, as well as Adelaide Festival, St Kilda Festival and Melbourne Pride.
“We have been keeping an eye on Jawbreakers for several years,” says Damien Platt of Extrovert Music, a division of Vicious Recordings, the label that discovered Avicii when he was a teenager, and released his first ten records. “When Kali and Sabrina presented us with demos of the EP, we were instantly fans of the music. It's fun, its camp and its quality music.”
Jawbreakers is not Extrovert Music’s first foray into gay dance floor music. Label co-founder Andy Van, of the band Madison Avenue, had a #1 dance anthem with “Don’t Call Me Baby”. More recently, Sgt Slick’s recut of “Gimme! Gimme! Gimme!” went gold and has become a major queer anthem. “Extrovert Music is focusing on dance pop/disco/commercial/cross over releases,” Platt continues. “A majority of our new signings and existing roster who identify as LGBTQIA+ are producing this sound.”
While Jawbreakers’ unique look has helped attract attention to their work, Sabrina admits that performing as hyper feminine drag artists has made it harder for fans and the music industry to take the duo seriously. “We’ve had straight DJs hit on us and others wonder who the random chicks were in the booth,” she explains. “But way more people have shown their support and their desire to see us succeed.”
“We’re lucky to live in an era when queer culture is proving that we can be a force in any and every industry,” Kali adds. “Never underestimate what a queen can achieve. It only makes us work harder.”
Jawbreakers’ “Just A Taste” is being distributed through Extrovert Music and will be available on Apple Music, Spotify and all digital platforms. The “Boyfriend” video is available now on YouTube. Follow on Instagram @ JawbreakersDJ
Unleashed LGBTQ to Cover QUEER Experience at SXSW 2022
SXSW 2019
Live events are back and I have to say, few events have me pumped like the return of SXSW.
Every year industry professionals from around the globe meet in Austin Texas to learn about the latest in a variety of industries. While focus for this groundbreaking event was initially centered around music and film, we have seen SXSW expand, every year, into more and more fields and industries— covering topics that include everything from finance to transportation and even oil and gas. If it’s new and innovative, South by is where you’ll find it. This 9-day conference and festival offers insight on the latest in film, music, tech and more through screenings, panels and showcases. There’s endless branded activations and art installations. It’s experiential marketing at its finest.
However, that hasn’t been the case, at least for the last two years.
Actresses Abbi Jacobson (L) and Ilana Glazer attend the premiere of the "Broad City" series finale at ZACH Theatre on March 10, 2019 in Austin, Texas. (Photo by Michael Loccisano/Getty Images for SXSW)
The only shutdown I like is after I read a bitch— but with the rollout of vaccines, new guidelines, and recent drops in Covid-19 cases, group gatherings of this scale are once again possible. People are doing their part and it shows. To that I say, Yasssssss!!!
This light at the end of the tunnel is making it possible for one of the largest and most prestigious gatherings of talent and industry professionals to reconnect once again. (Missed y'all!)
Film subject Kathy Griffin attends the premiere for "Kathy Griffin: A Hell of A Story" during the 2019 SXSW Conference and Festivals at ZACH Theatre on March 11, 2019 in Austin, Texas. (Photo by Michael Loccisano/Getty Images for SXSW)
When attending SXSW, it's not uncommon to rub shoulders with movers and shakers, even high-profile celebs… But what or who’s gonna be the next big thing is what I find most fascinating. Ambition and opportunity sets the scene.
You can be drinking a beer with the next tech millionaire or attending the show of the next rock band who will one day grace covers of magazines. We all love a good success story. Seems anything’s possible and I’m here for it!
So what’s to be said about LGBTQ inclusion at SXSW?
Lizzo performs onstage during the 2019 SXSW Conference and Festivals. (Photo by Stephen Olker)
In the past we have seen queer artists, performers, speakers, and panelists offer insight into our unique culture. as well as LGBTQ icons and allies showing support with important, thought provoking messages through powerful performances, screenings, keynotes and panels.
Film critic and contributing writer Arnold Jones called SXSW “An intoxicating crossroads of bohemianism and commerce, SXSW embraced alternative and queer in its many definitions– quirky, cool, campy.”
Stacey Abrams speaks onstage at Featured Session: Lead from the Outside: How to Make Real Change during the 2019 SXSW Conference and Festivals at Hilton Austin on March 11, 2019 in Austin, Texas. (Photo by Danny Matson/Getty Images for SXSW)
Since its inception, SXSW, has been a pioneer of inclusion, reaching across cultural divides. These opportunities have provided platforms for under-represented individuals (like LGBTQ and POC) to connect with decision makers that can elevate careers to new heights.
Walt Disco showcase presented by British Music Embassy. Photo by Thomas Jackson
Some of these dynamic queer persons of interest photographed from SXSW 2019 can be seen below. (Zachary Quinto, Lance Bass, and Beanie Feldstein)
Ashleigh Cummings (L) and Zachary Quinto attend "NOS4A2" Premiere during the 2019 SXSW Conference and Festivals at Alamo Lamar D on March 11, 2019 in Austin, Texas. (Photo by Hutton Supancic/Getty Images for SXSW)Bud
Lance Bass speaks onstage at Featured Session: Lance Bass during the 2019 SXSW Conference and Festivals at Austin Convention Center on March 13, 2019 in Austin, Texas. (Photo by Travis P Ball/Getty Images for SXSW)
Kaitlyn Dever, Olivia Wilde, Beanie Feldstein attends the "Booksmart" Premiere - 2019 SXSW Conference and Festivals at Paramount Theatre on March 10, 2019 in Austin, Texas. (Photo by Matt Winkelmeyer/Getty Images for SXSW)
While not all events are currently listed for SXSW 2022 (schedule will continue to be updated leading up to event), here’s some LGBTQ events to include in your SXSW GO App’s calendar:
LGBTQ+ Sex Education for Brands 11:30 AM-12:30 AM | March 16
Speakers: Arielle Egozi, Kayla Gore, Graham Nolan, Alicia Sinclair
A Clarion Call for More LGBTQ Inclusion in Sports 11:30 AM - 12:30 PM | March 13
Speakers: Katie Barnes, Chris Mosier, Amit Paley, Adam Rippon
LGBTQ+ Rights & Politics 2:30 PM - 3:30 PM | March 12
Speakers: Rebecca Marques, Ricardo Martinez, Emmett Schelling, Jessica Shortall
Social Media Platform Accountability: LGBTQ+ Edition 10:00 AM - 11:00 PM | March 12
Speakers: Jenni Olson, Brennan Suen, Alok Vai-Menon
Marginalized Voices in Film & TV Journalism 4:00 PM - 5:00 PM | March 13
Speaker: Dino-Ray Ramos
Tech-Driven Trends in Adult Entertainment 4:00 PM - 5:00 PM | March 13
Speaker: Buck Angel, Shirley Lara, Sinnamon Love, Courtney Trouble
No Label, No Problem: Indie Artist Steps to Success 11:30 AM - 12:30 PM
Speakers: Andreea Gleeson, Vickie Nauman, Lie Ning, Hessel von Oorschot
Speak for Yourself 11:30 PM - 12:30 PM | March 14
Speakers: Gina Chua, Cheryl Phillips, Aron Pilhofer
The Black Agenda 11:30 AM - 12:30 PM | March 14
Speaker: Anna Gifty Opoku-Agyeman
How Do I Un-Remember This? 4:00 PM - 5:00 PM | March 14
Speaker: Danny Pellegrino
Inclusion Revolution: How Hybrid Work Boosts DEI 10:00 AM - 11:00 AM March 15
Speakers: Antoine Andrews, Aman Bhutani, Sam Bright, Sheela Subramanian
Meet the Women of Evolving the Gaming Industry 11:30 AM - 12:30 PM | March 15
Speakers: Jill Kenney, Shannon Liao, Makeda Loney, Alanah Pearce
Helping Queer Youth Find Joy 12:00 PM - 12:30 PM | March 15
Speaker: Brian Wenke
Unleashed LGBTQ will keep you updated on what’s to come as well as what’s happening at the events through the lens of these dramatic rainbow shades. Follow us on social media for live coverage of events. We are proud and honored to cover all things fabulous at this year’s SXSW. Thank you to the organizers for including us. Muah!
For more information on attending, line-up, and marketing opportunities visit: www.sxsw.com
Attending SXSW?… do download the SXSW GO App and link your badge for optimal experience. Trust. No, seriously. Trust. Also, if you’re not vegan, try the brisket!
Elizabeth Warren speaks onstage at Conversations About America's Future: Senator Elizabeth Warren during the 2019 SXSW Conference and Festivals at Austin City Limits Live at the Moody Theater on March 8, 2019 in Austin, Texas. (Photo by Amy E. Price/Getty Images for SXSW)
Gender-Bending Queer Artist ALONE Releases “Everything”, An Ode to His Trans Siblings
Debut Single Declares “Opulence is a State of Mind”
“Everything”, the debut single from the gender-bending Queer artist ALONE, pays homage to the shiny, brassy days of Motown while also serving as an affirming ode to the Transgender Community who continue to enrich our world while battling tremendous negativity. “I want my siblings to know that they are blessed, loved and perfect just the way they are,” says ALONE, who’s own lewk blends disco-rock camp fierceness with svelte Hollywood glamour silhouettes. He wrote, composed, and arranged the soulful RnB Pop track, and topped it off with soaring falsetto vocals brimming with joy fitting for a true anthem. The song was recorded in New York City with a full live band on all-analog equipment. “It is meant to be a bright and feel-good reminder that you already have everything you need to be happy and thrive,” he explains. ALONE’s “Everything” is available now on Apple Music, Spotify and all digital platforms. Its music video is available on YouTube.
“Everything” started as a love song to a guy I was dating who had a fabulous life but couldn't stop complaining about everything,” ALONE recalls from his NYC home. “I wrote the song to try to convince him to see how good he had it and help him cultivate a spirit of gratitude.”
During the production of the song, the message grew larger than a simple love song. It became a proclamation for all to appreciate life regardless of unfavorable circumstances. "Your joy is not dependent on external factors," ALONE urges. "Right now, just as you are, you are already as good, as well and as complete as anyone can ever hope to be — and therefore you are already, in fact, everything."
“I wrote the lyric, ‘Opulence is a state of mind,’ while sunbathing on the crumbling roof of an old house I was living in,” he continues. “At the time, I was barely making rent and struggling to find work and ways to bring my music to life. I laid down a patch of Astro turf on that hot tar, covered it with a piece of leopard fabric, treated myself to a box of strawberries and felt like royalty.”
In the song’s music video, ALONE spotlights an all Trans and Gender Non-Conforming cast. “I wanted to assure the Trans and Queer youth out there that there is a family here for them and that they are beautiful, powerful and worthy,” he says. He enlisted some of the leading activists in the Black Trans Lives Matter Movement including Tahtianna Fermin, founder of Bridges 4 Life, an organization that serves Trans youth in the foster care system; Danni Gucci, founder of the #Wontberased campaign for Trans visibility; and Suburbia, a drag queen who has been featured on HBO Max’s And Just Like That, and is the founder of the POC Collective.
ALONE was born Alon and raised in Israel, in a small coastal town called Herzliya. His father died in military action when he was three and a half years old. He grew up in a household of women, with only his mom and sister. His musical influences were Prince, Grace Jones, George Michael and Sylvester. “Growing up as a Queer kid who never fully fit in anywhere, seeing a Queer artist like Sylvester was a beacon of hope,” ALONE reflects. “It made me feel like I wasn't alone, like there was a future for me and that there were others out there like me.”
Upon moving to New York City, Alon changed his name to ALONE to reclaim the word; empowering its meaning from something sad and scary to independent and in control. “Being alone is one thing everyone experiences from time to time. There is beauty and strength-building in it. The binary concept that being alone is bad and being together is good is false. Both are equally important to our growth and well-being.”
ALONE’s next single, "Fine", is currently in production and scheduled to be released on April 8th with an accompanying music video. A sultry tribute to homo- and pansexual attraction, it pays homage to 80s rock strip songs while challenging the prevalent notions of sexuality and gender.
ALONE’s “Everything” is available now on Apple Music, Spotify and all digital platforms. Its music video is available on YouTube. Visit his website and follow ALONE on Instagram @ TogethALONE.
ACL FEST 2021- BEING HEARD AT MUSIC FESTIVALS
By Wesley Smoot
Photo Credit: Roger Ho
When you think of music festivals, you might think: headliners, huge crowds, fun costumes, overpriced drinks, perhaps creating unforgettable memories with your closest friends… This is often the case for most of us. So, while organizers work tirelessly to make their events stand out, what else could be missing?
HBO Max’s 2021 documentary showed us the tragic events of Woodstock ‘99 in a chilling story (Woodstock 1999: Peace, Love, & Rage) that ended in arrests, bloodshed, and eventually a bunch of angry white men setting the whole damn thing on fire. With multiple cases of sexual assault and even preventable deaths, this was the perfect example of toxic masculinity at its finest.
Was it the perfect recipe for the events that took place? Could it have been avoided? Again, what was missing?
An obvious solution, Diversity.
Music festivals, including ACL have been booking talent with large LGBTQ fanbases for some time. In previous years, ACL has brought us LGBTQ icons like Robyn, Lizzo, Megan Thee Stallion, The Cure, and more. While I personally love these performers, I’m eager to see more talent that actually identifies as LGBTQ.
Could ACL do a better job of booking more diverse, or specifically more queer artists to their line-up? I’m happy to say, they have and they did… an absolutely, fabulous job!
Photo Credit: ©Charles Reagan
Austin City Limits 2021 was a milestone of inclusivity, From having their first ever drag performer, Trixie Mattel on the Tito’s Vodka Stage, to hosting Spanish speaking acts like Gina Chavez and Karol G. Representation seemed an obvious goal for this year’s organizers.. and bravo to you! Please don’t think this goes unnoticed.
Trixxie Mattel ACL Fest 2021 Weeked 2- Photo Credit: Alison Narro
Norway native, singer/songwriter, and proud lesbian, Girl in Red brought a considerable audience to her stage. (Look her up!) As a fan, I was a pleasantly surprised to see the crowd her performance attracted. Lead singer, Marie Ulven Ringheim told audience how she almost cancelled her ACL performance due to Texas’ Governor Greg Abbott’s horrific abortion law that passed earlier this year. She stated, “It wouldn’t be fair to skip this opportunity, I know many of you don’t agree with what’s happening… by performing here, I want to show support to those who don’t follow the Governor’s outdated views on something that most of the civilized world has moved past.”
Girl in Red ACL Fest 2021 Weeked 2- Photo Credit: Alison Narro
It’s worth mentioning country music star, LeAnn Rimes opened her song, Love is Love is Love by talking about her early, personal experience with LGBTQ acceptance. Non-binary, North Carolina based, Future Islands gave an unforgettable performance that will leave me a diehard fan. Erika Badu… well, she’s Erika Badu. Who always delivers gold. But what about the attendees?
A considerable number of rainbow flags and queer statements proudly worn by LGBTQ attendees, including myself and our very sexy group, was peppered throughout the vast audience. We experienced moments where straight-allies asked for photos with us and our rainbow flag. This meant a lot, or least to me. Hearing words of love and encouragement never goes unappreciated. We see you allies!
Future Islands ACL 2021 Weekend 2- Photo Credit: Charles Reagan
To wrap it up in a real cute bow… I can honestly say, what I witnessed is real progression. While I’d love to see acts like Toddrick Hall, Kameron Ross, and even Ricky Martin take stage, I can’t help but wonder what’s in store for next year and if other music festivals will follow suit.
I say, keep marketing to us, with us. Keep it diverse & inclusive and we’ll keep coming back. As someone who lived in Austin, Keep Austin Weird is something the LGBTQ community has always contributed to. Thank you for seeing us, and you can count on seeing me next year.
-Wesley Smoot
Unleashed LGBTQ
Photo Credit: Alison Narro