David Hernandez Bares All In New EP And Book

By Alex Gonzalez

Don’t @ Me - EP Cover Image David Hernandez

David Hernandez is baring it all. And not just on his new EP Don’t @ Me. To accompany Don’t @ Me, Hernandez is releasing a coffee-table book full of his nudes in tandem with the musical project this Friday (March 11).

Hernandez is no stranger to public nudity. Before conceptualizing Don’t @ Me, or his book #NSFW, he starred in a Las Vegas production of Naked Boys Singing. On his Instagram page, he often dons a jockstrap, showing off his backside, while posing seductively in nature or against a solid backdrop.

“My friends, when I go to their houses, especially in New York, they have these coffee table books, like the dick book, or like the ass book,” Hernandez tells Unleashed LGBTQ. “You open it up, and it's just all of these beautiful nude photos. They’re just so well done and tasteful that I wanted to join the likes of those coffee table books.”

The former American Idol top 12 contestant began working on music before signing onto Naked Boys Singing, however, the feelings of sexual liberation he felt while naked on stage kickstarted his musical process.

“I was inspired just to be myself,” Hernandez tells Unleashed LGBTQ, “to feel free to, honor the sexual side of myself and the nudist side of myself. The content on the EP is very adult, it's honest, and it’s gay as well. And I thought my image also fits that same exact thing, and I feel free and liberated through this experience. So why not release it to the world and show all sides of me, literally?”

Hernandez learned how to record and produce his own music during the pandemic, using programs like Splice, Ableton, Pro Tools and Garageband. He was mostly going into the studio for cathartic, therapeutic purposes, and didn’t have any initial plans to release a project.

“I was just dropping lyrics and vocals in my microphone,” Hernandez says. “And then. when I got to Vegas, I was just inspired by my sexual nature and being naked on stage. I was finally, finally thinking ‘Wow, you look really good after this fitness journey, you should be proud of yourself.’ The content [of the EP] changed a little bit. I started writing about how it feels being an adult gay male, how it feels during sex and how it feels with my anxiety.”

David Hernandez #NSFW

Although the recurring theme of Hernandez’s new projects is sexual liberation, the singer does take time to address the haters.

On Don’t @ Me’s title track, Hernandez claps back at people who have tried to hinder his success. For the first time, he addresses the naysayers who dragged his name through the mud during his 2008 stint on American Idol.

The song opens with a Fox News sound clip of an anchor revealing news of a pre-Idol Hernandez working at a male strip club. “Don’t @ Me” then continues with Hernandez “speak-singing” the lyrics “see my ass on Instagram, see my dick on OnlyFans.”

“I'm just going to place now like where not only have I like forgiven the people that dragged me, like Perez Hilton, and all the news outlets, and stuff like that,” Hernandez says, “but I've moved on from that, and I wanted to the EP to be the bookend for all of that. And I think you'll hear that. The EP, just like the book, is about liberation, self-expression and freedom.”

Move, I’m Gay Podcast Celebrates 100th Episode

Move, I’m Gay, the podcast starring Francisco and Brendan (better known to listeners as Franny and Brenda) is out now with its 100th episode.  Taped live each week from their studio in Portland, Oregon, the show has gained a national following for the comical camaraderie between its two seemingly polar-opposite hosts. While Franny dishes on the latest entertainment dirt, and maybe belts out a Top 40 hit or two, Brenda references obscure gay historical facts.  There’s also a bit of politics thrown in, as the two banter, laugh and drink their way into listener’s hearts.

“I had never been a fan of podcasts,” admits Francisco. “I have only listened to a couple and most of them have been true crime, so it’s interesting to find myself hosting a comedy show.  Honestly, the real reason I’m here is I broke my leg and I needed something to do with my life.”

The pair had only hung out with each other casually before starting the Move, I’m Gay podcast in February 2020.  “We have very different personalities,” Brendan explains.  “Francisco is up on trends and I’m slightly clueless to them, but we seem to mesh well in terms of our interaction and it's nice to have solidified our friendship through two years of weekly recordings.”

The show’s segments are a favorite among listeners.  In the “Gay of the Day” segment, they highlight some of the outstanding accomplishments of individuals in the LGBTQ+ community.  “We love heaping praise on the bravery of celebs like Lil' Nas X and JoJo Siwa who have come out loud and proud and others like Jeopardy! champ Amy Schneider who are raising LGBTQ+ awareness on unexpected platforms,” says Francisco.  

“It’s also encouraging to be able to report on progressive legal news, especially the expanded rights being enjoyed by queer people all around the world,” Brendan adds.

But with the sugar comes the medicine.   The pair regularly share their real-life trials and tribulations, like in the “Hog Hunters" episode when Brenda was forced to come to terms with the truth about the man he had been speaking with on Tinder.  “I had to be convinced live during the episode that I was being catfished.  All of the obvious signs were there but I simply wasn't willing to admit it.”

In their “Bless This Mess” segment, Franny and Brenda lament on the week’s most shameful events.  “Some of our most heated shows from last year were centered around transphobia and the right's increasingly unhinged fight against BLM and voter's rights, and their refusal to believe that we’re in the middle of a God damned global pandemic,” says Francisco. 

“In the beginning, we didn’t expect the Move, I’m Gay podcast to be so political,” he continues.   “It was meant to be more about our shared love of the free Britney movement and detest for Gwyneth Paltrow’s Goop with maybe a few bits about Wendy Williams burping and farting simultaneously while live on air tossed in for good measure.”

Both agree that being LGBTQ+ today is inherently political.   “We realized pretty quickly that avoiding the serious topics would come across as tone deaf, and that’s the last thing we want the show to be,” Brendan explains.

The podcast has been a learning experience for the pair.  “I've found that my favorite shows are when we’re our real selves, imperfections and all,” says Francisco. 

Brendan agrees.  “Being authentic seems to be working for us.  Like the great Cheryl Lynn sang in her 1978 self-titled debut studio album, 'Got to Be Real'."

Listen to the Move I’m Gay podcast on Spotify.  Follow on Instagram. 

AFTER THE RAIN, COMES THE RAINBOW- BIGOTRY HAS NO PLACE AT SXSW

SXSW is just around the corner and we hope ya’ll are ready!

This 9-day conference and festival is welcoming artists and industry professionals from around the globe to meet in Austin, Texas for one of the most highly anticipated comebacks of the last three years.

Celebrate the start of SXSW 2022 at the Big Gay Kickoff Party on March 11 at Rain for the biggest, gayest party in town.

While Texas has already been a hotbed for controversial legislation following the appalling abortion bill carried out by Texas Governor Greg Abbott, there seems to be even more on the horizon.

Gov. Abbott's recent order requires the state's child welfare agency to treat gender-affirming care for young transgender Texans as child abuse.

SXSW organizers released this statement Wednesday:

“We unequivocally denounce actions by Governor Greg Abbott to put transgender children and their families in harm’s way. We will continue to use our platform to elevate voices from the LGBTQ+ community.”

There is currently a considerable number of LGBTQ+ speakers, panels, films, and musicians included as part SXSW 2022. It seems regardless of the political climate, SXSW and its organizers will continue to show support to our community, providing a space for conversations that include marginalized groups like the transgender community.

While things are bleak at the moment it’s important to band together and in solidarity and ensure voices are continually heard in the great State of Texas.

Because as we all know: After the rain, comes the rainbow.

Jonathan Van Ness

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Attending SXSW? Do check out TRANSforming Comedy:

TRANSforming Comedy is a conversation centered around transgender comedy creatives in the world of film and television. In the face of disproportionate and divisive debate, comedic writers and filmmakers with the lived experience being transgender challenge the reflexive overrepresentation of dramatic treatment of trans stories through the radical genre of comedy. Audiences will hear and learn how comedy can change culture, inviting connection through shared humor and catharsis through laughter.

Additional LGBTQ+ events can be found here.

Dad Throws Teen Party to Celebrate Her First Period.

Ok, not exactly, but not-not exactly.

The Karuk Tribe (Northern California) have long performed a ceremony called a Ihuk. Not familiar?, neither was I. Ihuk is a coming of age celebration for a young girl’s transitions into womanhood following her first menstrual cycle. Not something many girl’s might want announced, let alone celebrated with friends and family.

But why is the subject of menstruation taboo?

Long Line of Ladies is a documentary short directed by Rayka Zehtabchi and Shaandiin Tome. While both fairly young, they’re no amateurs to filmmaking.

Rayka Zehtabchi is an award-winning director. In fact, her film Period. End of Sentence (available on Netflix) made her the first Iranian woman to win an Oscar. Shaandiin Tome has some bragging rights of her own. Her award-winning, break-out short film "Mud (Hashtł’ishnii)" premiered at the Sundance Film Festival in 2018.

Loves it.

We got the opportunity to ask some questions to these accomplished and talented directors about their new documentary short, Long Line of Ladies, being featured this March at SXSW 2022.

Pinkies up, now sip!

Directors: Shaandiin Tome & Rayka Zehtabchi

What inspired you to make this documentary?

This documentary has been a long time coming. On Rayka’s side, this short doc is almost like a reprise, but with a different approach, on menstrual equity in communities. Her short documentary Period. End of Sentence., was an exploration into a community that treats menstruation as taboo. With the help of The Pad Project, there was the wish to make something that was more of a celebration rather than a detriment. On my (Shaandiin’s) side, I have been in the space of Indigenous Film and Media since I’ve started my career. So, I’m always on a trajectory of finding ways to uplift and make the Indigenous narrative known and celebrated.

How did you first hear about The Karuk Tribe and Ihuk.

Rayka did a lot of research, I think weeks or months, of exploring different communities that celebrated menstruation. She found a website that was a recent documentation of the Ihuk ceremony by Ty’ithreeha Allen; it was from her perspective, having recently gone through it. Rayka reached out to Pimm Allen (her mom) and then found out that she had another daughter, Ahty, that was about to go through her ceremony. So, the stars aligned in such a lovely way for us to begin meeting with the family and finding ways to listen and understand more of their story. 

Was it a culture shock to see something that is not openly discussed be celebrated?

Speaking more for myself (Shaandiin), it wasn’t as much of a culture shock. I am Diné (Navajo), and we have a similar coming of age ceremony called the Kinaaldá. However, because of boarding schools, my family wasn’t as established in tradition, and I opted out of mine because of how intimidating I thought it was. I think if I saw something like this when I was younger, it would have inspired me to take pride in who I was at the time and delve deeper into what it meant for me to be a young Diné woman. It’s astonishing to see a family that is so in tune to who they are and how they pass knowledge to their children; I think a lot of what people might see as a culture shock isn’t necessarily just how menstruation is talked about openly, but how the whole community is so much different than what we see in a western culture.

What do you hope this documentary helps accomplish for young girls and the public’s perception of menstruation?

Ahty should be the one to answer this question. She is the reason this whole project came together, and all because she wanted to put a positive image out there of what it means to be a young woman coming of age. Rayka and I have talked about it a lot where we wish we could grow up again, knowing what we have learned from this process. Overall, this documentary helps create a perspective of how a whole community comes together to uplift a woman, and she isn’t able to go through this process alone. I think that speaks for what a lot of young women are hoping for at this time in their lives; it’s not an individual taking. It takes a strong community.

Any upcoming projects we should look out for?

We are always working, haha. But we actually have a similar journey in wanting to go back to our originating passion of film, narrative! We have been on a fortunate journey of being able to document life in front of us, but we also both love to craft worlds and find expression through them. So hopefully, we will both be working on narrative projects (but if I had to bet, Rayka will have something out sooner than me!)

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So let's hear it for the girls!… and these accomplished young filmmakers who took it upon themselves to share a culture and tradition that celebrates, uplifts, and makes women feel seen, respected, and included. Let’s see to it that one day conversations like these will be normalized. Period.

Long Line of Ladies premiered at the 2022 Sundance Festival and is scheduled for SXSW 2022:

March 13, 2022, 11:30 AM Rollins Theatre at The Long Center

March 14, 2022, 9:00 AM Online

March 17, 2022, 6:45 PM Alamo Drafthouse Lamar D

Drag DJ-production Duo JAWBREAKERS Release Debut Music Video - "Boyfriend"

Kali Forni-Kate and Sabrina Babyslut are drag producer/DJs! Together, they are known as the Jawbreakers. In their first EP, Just A Taste - being released through Vicious Recordings, the label that discovered Avicii when he was a teenager, and released his first ten records - the duo dish out delicious dance, pop and tech house songs that reflect on their live DJ shows. "Boyfriend," the EP’s first single, is out now. It’s video emphasizes how Kali and Sabrina not only DJ their parties, they are their parties.

Just A Taste, the debut EP from the drag-duo DJ-production team known as Jawbreakers, dishes out dance, pop and tech house songs suitable for clubs and partygoers at home enjoying a late-night kiki. “The EP is a sampling platter of beats with something for everyone,” says Kali Forni-Kate of Jawbreakers.  “It’s Just A Taste, because there is 100% more to come,” adds her collaborator, Sabrina Babyslut. With songs like “This Is Dirty” and “Ciao Bella,” the EP reflects the group’s live DJ shows that emphasize how Jawbreakers are not only playing the party, they are the party. "Boyfriend," the EP’s first release, is a modern-day remake of Ashlee Simpson’s 2005 hit that chronicled her stealing Wilmer Valderrama from Lindsay Lohan. The Jawbreaker version features vocals from Amunda (formerly from Operator Please).  Its accompanying music video, directed by Nyssa Mitchell, conceptualized by Jawbreakers with editing and FX by Zachary McSweeney, is a technicolor dream, with Kali and Sabrina dressed in eye-catching lewks. The Just A Taste EP is being distributed through Extrovert Music, a division of Vicious Recordings, and will be available on Apple Music, Spotify and all digital platforms on April 1.  Jawbreaker’s “Boyfriend” music video is available on YouTube. 

Kali and Sabrina first met in 2016, performing in a Britney Spears tribute show in Melbourne.  They immediately clicked as both came from similar middle-class, nuclear family backgrounds, discovered drag via their passions for musical theatre, and began their individual adventures into the art form after high school. When they learned of their shared interest in music production, they decided to join forces as a DJ duo. They bought a mixer and six months later they were in business.

“The biggest hurdle was deciding who stands where in the booth,” Kali explains.  “Sabrina is left-handed and I’m right.  We had to fight over who uses the left and right DJ decks.  Swapping throws off our groove!” 

Their Jawbreakers name harkens back to the iconic candy from their childhoods and the 1998 teen film that starred Rose McGowan, Rebecca Gayheart and Julie Benz as the “it” girl clique who reign supreme in their high school.  “It’s a reflection on how the drag that we do is heavily inspired by pop culture,” Kali continues.  “Like the girls in the movie, we dress to have fun and through the music we play and the energy that we exude, it makes everyone want to party with us!”

The duo has already headlined several international festivals including Sydney Mardi Gras and Milkshake Festival in Netherlands. Their next big gig will be Summer Camp Festival where they will perform alongside Years and Years, Big Freedia and The Veronicas. They are also slated to perform the next Goodlife U18 event, as well as Adelaide Festival, St Kilda Festival and Melbourne Pride.

“We have been keeping an eye on Jawbreakers for several years,” says Damien Platt of Extrovert Music, a division of Vicious Recordings, the label that discovered Avicii when he was a teenager, and released his first ten records.  “When Kali and Sabrina presented us with demos of the EP, we were instantly fans of the music. It's fun, its camp and its quality music.”

Jawbreakers is not Extrovert Music’s first foray into gay dance floor music. Label co-founder Andy Van, of the band Madison Avenue, had a #1 dance anthem with “Don’t Call Me Baby”. More recently, Sgt Slick’s recut of “Gimme! Gimme! Gimme!” went gold and has become a major queer anthem.  “Extrovert Music is focusing on dance pop/disco/commercial/cross over releases,” Platt continues. “A majority of our new signings and existing roster who identify as LGBTQIA+ are producing this sound.”

While Jawbreakers’ unique look has helped attract attention to their work, Sabrina admits that performing as hyper feminine drag artists has made it harder for fans and the music industry to take the duo seriously.  “We’ve had straight DJs hit on us and others wonder who the random chicks were in the booth,” she explains.  “But way more people have shown their support and their desire to see us succeed.”

“We’re lucky to live in an era when queer culture is proving that we can be a force in any and every industry,” Kali adds.   “Never underestimate what a queen can achieve.  It only makes us work harder.”

Jawbreakers’ “Just A Taste” is being distributed through Extrovert Music and will be available on Apple Music, Spotify and all digital platforms.  The “Boyfriend” video is available now on YouTube.  Follow on Instagram @ JawbreakersDJ

Film Review- Death on the Nile

by Arnold Wayne Jones

More than a century after the publication of her first novel, Agatha Christie remains the best selling novelist of all time. Think about that: The only authors who are more widely read are Shakespeare (a playwright!) and God (the Bible… though maybe that should be classified under fiction as well). That’s a lot of wide-ranging appeal. On the other hand, popularity doesn’t always translate into brilliant writing. Christie’s skill was plotting more than characterization. Those who populate her novels tend to be types – chatty cousins, blustery retired soldiers, Bohemian young women, moustachioed Lotharios. They serve her stories more than they live in our imaginations.

Courtesy of 20th Century Studios

Her more than 50 full-length books featured her most famous detective, Hercule Poirot, 33 times, and even he was something of a cipher. Fussy, stout, ageing, he exuded sexual repression channeling his puritanism into nosiness. And in a series of films starting in the 1970s, usually starring Peter Ustinov, his pinched emptiness became a delightful vessel for scenery chewing and the flamboyant “I suppose you’re all wondering why I’ve called you here” reveal. It’s fun.

So fun, in fact, that one of my favorite popcorn movies has always been 1978’s Death on the Nile, with its portmanteau of former superstars (Bette Davis! Angela Lansbury! David Niven!) – a tour of Old Hollywood glamour with a satisfying conclusion and few consequences.

Courtesy of 20th Century Studios

Alas, our society has changed. Despite how depressingly epidemic remakes have become, old-school entertainments usually must gesture toward justifying themselves by adding a post-modern veneer. And so Kenneth Branagh’s long-delayed remake of Death on the Nile, just in theaters, begins not with a juicy teaser to set up what’s to come, but a black-and-white prologue set decades earlier, in the trenches of The Great War in Europe, when a young soldier named Hercule uses his little gray cells to best the enemy and plan a wise military attack that nonetheless has a dire result. Those scenes explain Poirot’s celibacy, his outrageous whiskers and perhaps his hesitancy to solve the crime at the center of the story. It’s not just popcorn fun anymore … it’s meaningful. 

Courtesy of 20th Century Studios

Don’t get me wrong: some of the many delights on this tour of the Nile are its dazzling costumes, its breathtaking landscapes, its glittering atmosphere and parade of beautiful stars. And anyway, most of the character work is foisted on Branagh himself, who not only directs but play Poirot (as he did in his last Christie remake, 2017’s Murder on the Orient Express), so he’s up for the challenge and happy to instill a little po-mo gravitas on this frothy confection, letting the updates imbue it with more relevance. While the novel was written and set in a much less woke decade, the changes reflect a 21st century mindset. The original cast was a lily white as an albino eating a mayonnaise sandwich on Wonder Bread during a blizzard, so retrofitting, for instance, Salome Otterbourne not as a boozy romance novelist as a black world-weary jazz guitarist seems wise and organic, while interracial and same-sex romantic entanglements reflect an unspoken reality of the era.

Courtesy of 20th Century Studios

And the cast turns out to deliver performances beyond their remit. Sophie Okonedo, as the aforementioned Otterbourne, has none of the drunken bravada brilliantly rendered in the original by Angela Lansbury, but replaces it with a thoughtful cynicism and air of mystery and menace. Annette Bening, always one of the screen’s most watchable actresses, embraces her role as a devious matriarch. The legendary British comedy team of Dawn French and Jennifer Saunders reunite with an unexpected divergence from the source material that nonetheless makes perfect sense, and would have even in the 1930s.  

Courtesy of 20th Century Studios

Death on the Nile has always boasted one of Christie’s most serpentine yet satisfying solutions, and one concern I had going in was whether the screenwriters would pay proper homage to the source material or muck it up just to be unexpected. Without revealing any spoilers, I can attest that many of the changes in character and plot keep you guessing without while still offering a nostalgia tour of the elements that have always made Christie’s bubblegum prose enjoyable. 

Don’t mistake the stylistic updates as a pretentious rejection of the novel. This is still a drawing room murder mystery with all the ridiculous melodrama you’ve come to expect, but its careful tailoring or the saggy parts presses vintage glam into familiar clothes.

Courtesy of 20th Century Studios

Film Review- FLEE

by Arnold Wayne Jones

By its very nature, Flee is the kind of movie that risks being reductively shuttled into the category of novelty, if not outright gimmicky: It’s a documentary, but it’s also animated (portions are intercut with life-action footage), though it uses tons of live-action footage; it touches on about a half-dozen hot-button topics, from a same-sex relationship to a same-sex relationship including a Muslim to a story about a refugee (same guy!) and he’s a refugee from the Mujahideen in Afghanistan to Russia, two countries where unrest has dominated the news for a year. Why, if it were a fiction film, they’d’ve cast Daniel Day-Lewis and let him walk away with a fourth Oscar. (They might even make him a paraplegic with a speech impediment, just to seal the deal.) The fact it is the first film ever to receive three “best film” Oscar nominations – Best International Film (it’s in Dari and Danish, as well as English and few others), Best Documentary Feature and Best Animated Feature (it’s only missing Best Picture) – could brand the guilt-watch movie of the year.

Courtesy of NEON

That would all be a shame, though. Try to look beyond the circumstances that almost defy you to say anything negative for fear of being canceled by the Woke Police, and see instead its bona fides: Flee is an exceptionally powerful, but emotionally accessible, film – in turns heartfelt, heartbreaking and heart-warming.

Courtesy of NEON

Flee tells the true story of Amin (voiced in the dubbed version by executive producer Riz Ahmed), looking back on his innocent childhood in Kabul before life went to shit. As a 6-year-old, Amin would think nothing of putting on his sister’s dress and playing in the streets, and though he wasn’t sexually active, he knew he was attracted to men. That made him stand out among the traditional Muslim culture, one where, as Amin recalls, “gay people didn’t exist. There wasn’t even a word for them – they brought shame upon the family.” Without the vocabulary or context to give shape to his feelings, though, he just settled in to life, a kid largely untouched by the civil war that raged along the countryside. Eventually, though, the politics and violence would hit home.

Courtesy of NEON

One of the subtle achievements of the film is how the hand-drawn animation marries with the gentle tone to conjure the authentic, quotidian experiences of an extraordinary boy living out an ordinary boyhood that was anything but ordinary. Like John Boorman’s Hope and Glory, Steven Spielberg’s rendering of J.G. Ballard’s Empire of the Sun or more recently Kenneth Branagh’s Belfast, Flee captures the twinging melancholy of a dire situation as seen from the perspective of a callow but sensitive child unable to grasp the pending tragedy. But it layers on the component of sexual awakening to this slightly familiar trope, and shows it with delicate verisimilitude. In the present-day scenes, the affection between Amin and his fiance Kasper are sweetly loving; in the past, his comically regretful recollection of his attraction to movie muscle men like Jean-Claude Van Damme will flash familiarity to every former gay boy who knew his nature before he had the words for it. 

Courtesy of NEON

Amin and his family eventually escape Afghanistan, but their precarious immigration status, harrasment by authorities, unscrupulous human traffickers and Amin’s burgeoning sexual awakening and concomitant shame make for a horrific tale of modern survival while simultaneously reinforcing the resilience of spirit, even as the situations become increasingly dire. We know it is ultimately a triumphant tale – after all, Amin lived to tell it – but it burrows deep before then, echoing the well-worn sentiment in the gay community that family is the one you make for yourself, and that it does get better.

Courtesy of NEON

The slightly staccato anime style recalls Miyazaki’s wistful memory films, while the “shots” where the filmmaker/interviewer is shown behind the scenes joking with Amin (behind the scenes of an animated film? Whaaa?!) and sometimes abstract images give the film its disarming meta-ness. A meta-docu-cartoon? If it sounds twee, the effect is anything but. Flee transcends its simplified logline to be something profoundly emotional.

Courtesy of NEON

Unleashed LGBTQ to Cover QUEER Experience at SXSW 2022

SXSW 2019

Live events are back and I have to say, few events have me pumped like the return of SXSW.

Every year industry professionals from around the globe meet in Austin Texas to learn about the latest in a variety of industries. While focus for this groundbreaking event was initially centered around music and film, we have seen SXSW expand, every year, into more and more fields and industries— covering topics that include everything from finance to transportation and even oil and gas. If it’s new and innovative, South by is where you’ll find it. This 9-day conference and festival offers insight on the latest in film, music, tech and more through screenings, panels and showcases. There’s endless branded activations and art installations. It’s experiential marketing at its finest.

However, that hasn’t been the case, at least for the last two years.

Actresses Abbi Jacobson (L) and Ilana Glazer attend the premiere of the "Broad City" series finale at ZACH Theatre on March 10, 2019 in Austin, Texas. (Photo by Michael Loccisano/Getty Images for SXSW)

The only shutdown I like is after I read a bitch— but with the rollout of vaccines, new guidelines, and recent drops in Covid-19 cases, group gatherings of this scale are once again possible. People are doing their part and it shows. To that I say, Yasssssss!!!

This light at the end of the tunnel is making it possible for one of the largest and most prestigious gatherings of talent and industry professionals to reconnect once again. (Missed y'all!)

Film subject Kathy Griffin attends the premiere for "Kathy Griffin: A Hell of A Story" during the 2019 SXSW Conference and Festivals at ZACH Theatre on March 11, 2019 in Austin, Texas. (Photo by Michael Loccisano/Getty Images for SXSW)

When attending SXSW, it's not uncommon to rub shoulders with movers and shakers, even high-profile celebs… But what or who’s gonna be the next big thing is what I find most fascinating. Ambition and opportunity sets the scene. 

You can be drinking a beer with the next tech millionaire or attending the show of the next rock band who will one day grace covers of magazines. We all love a good success story. Seems anything’s possible and I’m here for it!

So what’s to be said about LGBTQ inclusion at SXSW?

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Lizzo performs onstage during the 2019 SXSW Conference and Festivals. (Photo by Stephen Olker)

In the past we have seen queer artists, performers, speakers, and panelists offer insight into our unique culture. as well as LGBTQ icons and allies showing support with important, thought provoking messages through powerful performances, screenings, keynotes and panels.

Film critic and contributing writer Arnold Jones called SXSW “An intoxicating crossroads of bohemianism and commerce, SXSW embraced alternative and queer in its many definitions– quirky, cool, campy.”

Stacey Abrams speaks onstage at Featured Session: Lead from the Outside: How to Make Real Change during the 2019 SXSW Conference and Festivals at Hilton Austin on March 11, 2019 in Austin, Texas. (Photo by Danny Matson/Getty Images for SXSW)

Since its inception, SXSW, has been a pioneer of inclusion, reaching across cultural divides. These opportunities have provided platforms for under-represented individuals (like LGBTQ and POC) to connect with decision makers that can elevate careers to new heights.

Walt Disco showcase presented by British Music Embassy. Photo by Thomas Jackson

Some of these dynamic queer persons of interest photographed from SXSW 2019 can be seen below. (Zachary Quinto, Lance Bass, and Beanie Feldstein)

Ashleigh Cummings (L) and Zachary Quinto attend "NOS4A2" Premiere during the 2019 SXSW Conference and Festivals at Alamo Lamar D on March 11, 2019 in Austin, Texas. (Photo by Hutton Supancic/Getty Images for SXSW)Bud

Lance Bass speaks onstage at Featured Session: Lance Bass during the 2019 SXSW Conference and Festivals at Austin Convention Center on March 13, 2019 in Austin, Texas. (Photo by Travis P Ball/Getty Images for SXSW)

Kaitlyn Dever, Olivia Wilde, Beanie Feldstein attends the "Booksmart" Premiere - 2019 SXSW Conference and Festivals at Paramount Theatre on March 10, 2019 in Austin, Texas. (Photo by Matt Winkelmeyer/Getty Images for SXSW)

While not all events are currently listed for SXSW 2022 (schedule will continue to be updated leading up to event), here’s some LGBTQ events to include in your SXSW GO App’s calendar:

• LGBTQ+ Sex Education for Brands 11:30 AM-12:30 AM | March 16

  Speakers: Arielle Egozi, Kayla Gore, Graham Nolan, Alicia Sinclair

• A Clarion Call for More LGBTQ Inclusion in Sports 11:30 AM - 12:30 PM | March 13

  Speakers: Katie Barnes, Chris Mosier, Amit Paley, Adam Rippon

• LGBTQ+ Rights & Politics 2:30 PM - 3:30 PM | March 12

  Speakers: Rebecca Marques, Ricardo Martinez, Emmett Schelling, Jessica Shortall

• Social Media Platform Accountability: LGBTQ+ Edition 10:00 AM - 11:00 PM | March 12

  Speakers: Jenni Olson, Brennan Suen, Alok Vai-Menon

• Marginalized Voices in Film & TV Journalism 4:00 PM - 5:00 PM | March 13

  Speaker: Dino-Ray Ramos

• Tech-Driven Trends in Adult Entertainment 4:00 PM - 5:00 PM | March 13

  Speaker: Buck Angel, Shirley Lara, Sinnamon Love, Courtney Trouble

• No Label, No Problem: Indie Artist Steps to Success 11:30 AM - 12:30 PM

  Speakers: Andreea Gleeson, Vickie Nauman, Lie Ning, Hessel von Oorschot

• Speak for Yourself 11:30 PM - 12:30 PM | March 14

  Speakers: Gina Chua, Cheryl Phillips, Aron Pilhofer

• The Black Agenda 11:30 AM - 12:30 PM | March 14

  Speaker: Anna Gifty Opoku-Agyeman

• How Do I Un-Remember This? 4:00 PM - 5:00 PM | March 14

  Speaker: Danny Pellegrino

• Inclusion Revolution: How Hybrid Work Boosts DEI 10:00 AM - 11:00 AM March 15

  Speakers: Antoine Andrews, Aman Bhutani, Sam Bright, Sheela Subramanian

• Meet the Women of Evolving the Gaming Industry 11:30 AM - 12:30 PM | March 15

  Speakers: Jill Kenney, Shannon Liao, Makeda Loney, Alanah Pearce

• Helping Queer Youth Find Joy 12:00 PM - 12:30 PM | March 15

  Speaker: Brian Wenke

Unleashed LGBTQ will keep you updated on what’s to come as well as what’s happening at the events through the lens of these dramatic rainbow shades. Follow us on social media for live coverage of events. We are proud and honored to cover all things fabulous at this year’s SXSW. Thank you to the organizers for including us. Muah!

For more information on attending, line-up, and marketing opportunities visit: www.sxsw.com

Attending SXSW?… do download the SXSW GO App and link your badge for optimal experience. Trust. No, seriously. Trust. Also, if you’re not vegan, try the brisket!

Elizabeth Warren speaks onstage at Conversations About America's Future: Senator Elizabeth Warren during the 2019 SXSW Conference and Festivals at Austin City Limits Live at the Moody Theater on March 8, 2019 in Austin, Texas. (Photo by Amy E. Price/Getty Images for SXSW)

Gender-Bending Queer Artist ALONE Releases “Everything”, An Ode to His Trans Siblings

Debut Single Declares “Opulence is a State of Mind”

“Everything”, the debut single from the gender-bending Queer artist ALONE, pays homage to the shiny, brassy days of Motown while also serving as an affirming ode to the Transgender Community who continue to enrich our world while battling tremendous negativity. “I want my siblings to know that they are blessed, loved and perfect just the way they are,” says ALONE, who’s own lewk blends disco-rock camp fierceness with svelte Hollywood glamour silhouettes. He wrote, composed, and arranged the soulful RnB Pop track, and topped it off with soaring falsetto vocals brimming with joy fitting for a true anthem. The song was recorded in New York City with a full live band on all-analog equipment. “It is meant to be a bright and feel-good reminder that you already have everything you need to be happy and thrive,” he explains. ALONE’s “Everything” is available now on Apple Music, Spotify and all digital platforms. Its music video is available on YouTube.   

“Everything” started as a love song to a guy I was dating who had a fabulous life but couldn't stop complaining about everything,” ALONE recalls from his NYC home. “I wrote the song to try to convince him to see how good he had it and help him cultivate a spirit of gratitude.” 

During the production of the song, the message grew larger than a simple love song. It became a proclamation for all to appreciate life regardless of unfavorable circumstances. "Your joy is not dependent on external factors," ALONE urges. "Right now, just as you are, you are already as good, as well and as complete as anyone can ever hope to be — and therefore you are already, in fact, everything."

“I wrote the lyric, ‘Opulence is a state of mind,’ while sunbathing on the crumbling roof of an old house I was living in,” he continues. “At the time, I was barely making rent and struggling to find work and ways to bring my music to life. I laid down a patch of Astro turf on that hot tar, covered it with a piece of leopard fabric, treated myself to a box of strawberries and felt like royalty.” 

In the song’s music video, ALONE spotlights an all Trans and Gender Non-Conforming cast. “I wanted to assure the Trans and Queer youth out there that there is a family here for them and that they are beautiful, powerful and worthy,” he says. He enlisted some of the leading activists in the Black Trans Lives Matter Movement including Tahtianna Fermin, founder of Bridges 4 Life, an organization that serves Trans youth in the foster care system; Danni Gucci, founder of the #Wontberased campaign for Trans visibility; and Suburbia, a drag queen who has been featured on HBO Max’s And Just Like That, and is the founder of the POC Collective.

ALONE was born Alon and raised in Israel, in a small coastal town called Herzliya. His father died in military action when he was three and a half years old. He grew up in a household of women, with only his mom and sister. His musical influences were Prince, Grace Jones, George Michael and Sylvester. “Growing up as a Queer kid who never fully fit in anywhere, seeing a Queer artist like Sylvester was a beacon of hope,” ALONE reflects. “It made me feel like I wasn't alone, like there was a future for me and that there were others out there like me.” 

Upon moving to New York City, Alon changed his name to ALONE to reclaim the word; empowering its meaning from something sad and scary to independent and in control. “Being alone is one thing everyone experiences from time to time. There is beauty and strength-building in it. The binary concept that being alone is bad and being together is good is false. Both are equally important to our growth and well-being.”

ALONE’s next single, "Fine", is currently in production and scheduled to be released on April 8th with an accompanying music video. A sultry tribute to homo- and pansexual attraction, it pays homage to 80s rock strip songs while challenging the prevalent notions of sexuality and gender.

ALONE’s “Everything” is available now on Apple Music, Spotify and all digital platforms. Its music video is available on YouTube. Visit his website and follow ALONE on Instagram @ TogethALONE.

In Todrick We Trust- Exclusive Interview with Texas' Own Todrick Hall

Interview by Wesley Smoot

Todrick Hall, is an actor, singer, dancer, producer, choreographer, broadway star and internet sensation… you may have heard of him. With all of those credits under his belt, he’s hard to miss. This trailblazing talent has given audiences countless YouTube videos, from hilarious parodies to top-notch original tracks with some of the best beats, lyrics, and choreography on the web. We got the chance to sit down with Todrick before his performance at the 40th Annual Black Tie Dinner to spill the tea and even snap some photos of this LGBTQ living legend. Pinkies up, now sip!

Photography by: Adrian Lopez

Weslo: Todrick, how are you today?

Todrick Hall: I’m fantastic. There’s no place like home. I’m so happy to be back in Texas. I don’t get to spend enough time here, so this is always a treat for me.

Weslo: Fabulous, tonight you’ll be performing in Dallas, Texas at the 40th annual Black Tie Dinner. You’re no stranger to North Texas. Can you tell us about growing up in the area? Did it have any affect on your music or style?

Todrick Hall: I think that every single day I realize just how much I’ve been affected by growing up in Texas, especially growing up in the middle of the bible belt. I claim the Dallas/Fort Worth area to be my hometown but I’m actually from the panhandle of Texas in Plainview which is a tiny town sandwiched between Lubbock and Amarillo. Growing up there, it was very conservative, people were very closed minded..  but I didn’t mind it. I was an only child that had a mom who embraced every part of me, even the quirky odd parts. Growing up I did ballet, theatre and was obsessed with all things Disney or anything musical based, so it was an interesting journey. As I grow older and look back on those experiences I appreciate every moment. Much like the butterfly effect, it has worked to make me the person I am today as an artist and a human being.

Photography by: Adrian Lopez

Weslo: I love that. Many artists like yourself who achieve this level of success end up in Los Angeles. Why do you think it’s so important to return to your old stomping grounds for events like Black Tie Dinner?

Todrick Hall: For me specifically, for events like Black Tie Dinner and for my tours, I always make sure I make stops in Dallas and do a few other Texas dates around my Dallas date because there are so many kids who should have access to these shows. When you live in a huge metropolitan city like New York, LA, Chicago, Vegas.. you can sometimes forget there are people still living in a bubble of sorts. While that bubble is more progressive than it was when I was growing up here, it is still insane to hear the stories of young queer kids growing up in this area. So everytime I come home it really hits me how much work we’ve done- but also how much more we need to do. There are so many homeless LGBTQ youth. There are kids who want to be performers and entertainers on Broadway. They want to be on television and don’t have parents supporting them, so I’m happy Black Tie is doing what they’re doing in Texas. It’s always bigger and better. It’s one of the biggest and best LGBTQ events in the world and it's right here in my hometown… so when I get asked to come to perform it’s really a no brainer.

Weslo: You started as a YouTube star, became a breakout performer on American Idol, you made a name for yourself on Broadway, and you even had a show on MTV… you seem to be very much a self-made man. Can you speak on your drive and commitment in your early years that got you where you are today?

Todrick Hall: I have to give credit where credit is due. My dance teacher Yvonne Racz was the artistic director at Ballet Lubbock. She was so strict, or what I thought was “so strict”. She prepared me for what to expect in the business. She brought this energy you would find in New York to a small town in Lubbock and raised me with all of the work ethic that I needed to get to the point I’m at now. I think a lot of people go out to the big cities to make a name for themselves but I think it’s really important to remember where you come from and use that foundation to find your voice. Dallas also seems to be a place where theatre, film and television are continuing to expand, giving new artists the opportunity to grow here before they venture out. With all that said, I think talent is important, but it’s nothing without hard work.

Photography by: Adrian Lopez

Weslo: I completely agree. So, I'm obsessed with your latest video It’s Raining Fellas… Looking back, you started with videos at McDonald’s Drive thrus and Target flash mobs, which while lacking in production value, were all still amazing videos... You now have so many resources to make quality content… What do you miss about those old days? Do you have a favorite of your older youtube videos?

Todrick Hall: Definitely the McDonalds video, my video Beauty and the Beat was so funny, I’m such a huge Disney fan and the energy in the room when me and my fellow friends, all POC’s created it, it was the funniest day ever. The Target flash mob was fun but scary. We didn’t have permits or even permission. I think that’s when things were the most fun, when we were stealing shots everywhere. Also being a social media influencer at that time was such an unknown, uncharted territory for so many people. There really weren’t any ground rules for when someone comes into a place to shoot a viral video. Luckily, it ended up working in my favor and a lot of those opportunities have come back. With Target, we’ve got to work with them and shoot in the store but this time without the adrenaline rush and trying to steal shots. Hahahaha… But those are the first three that come to mind. I will say my video for It gets Better definitely changed my life. I wrote that song because of the Trevor Project and all of the lives lost to suicide from bullying at school or at home. I put that song on iTunes. It was the first song I ever sold. That song resonated with so many people that in the first year I was living in LA, my rent was paid from the downloads and streams of that song specifically. So that song saved a lot of people’s lives, changed a lot of people’s lives, and helped me establish myself to where I could work on my passion full-time.

Weslo: Wow, incredible work. So, I was at a Dallas Cowboys game at AT&T Stadium and boom… Nails, Hair, Hips, Heels,... comes on. I see thousands of people moving, just feeling your music. For queer artists like yourself, like Lil Nas X, there seems to be huge waves being made in places that would seem almost unexpected to some. Do you see real progress in how queer music is being accepted in the mainstream. Or in places you wouldn’t expect like football games in Texas?

Todrick Hall: I would be lying if I said that we haven’t made a lot of progress, but in 2021 I haven’t heard a man sing a pronoun related to someone of the same sex. I think there’s been a lot of advancements. I’m so grateful Lil Nas X exists but I want there to be representation on the radio of simple, unapologetic love songs from one man to another using the pronouns, him/his. I think that would shed a lot of light on where we are, what cities would play it, which wouldn’t, where a song like that would chart… I think it would be groundbreaking. As queer people, we’ve got used to being underrepresented and don’t expect that from the radio or mainstream music. I want to start hearing our love songs. I would like when I get married, I don’t have to weed through every song that specifically mentions the pronoun of the person I’m in love with… that I will have a few options of songs that I can play at my wedding that feel created and catered to me. 

Photography by: Adrian Lopez

Weslo: You’ve toured the world with shows like Straight Outta Oz sharing your message of fierce, unapologetic queer realness.... What was it like in cities that come across as less accepting of the LGBTQ community? Did you ever experience any issues with homophobia while touring?

Todrick Hall: Absolutely, even sometimes in Texas. In San Antonio we were in a restaurant and a lady started screaming slurs. I always try to go by the Michelle Obama book of rules, when they go low we go high. I was very proud of how my team, my dancers, my crew, and how everyone handled it. Still, it was very eye opening. We don’t really experience that kind of negativity or discrimination in LA as we might when we’re on tour. Sometimes it can be an unfortunate wake-up call. But really it’s not just in America, we tour all over the world. We’re in Australia, New Zealand, all over Europe and even Asia... We still experience that type of discrimination sometimes differing from city to city. I have so many kids sending me messages and emails, direct messages and tweets saying that their parents won’t let them come support a gay black man. They won’t buy them a ticket or allow them to leave the house. We have had people picket and even riot outside our shows before. It’s been an insane experience but it’s something that reminds me and the team why we're doing what we’re doing. It’s become much bigger than making a fun video for people to dance to. Myself and other queer artists are showing people who really need it that you can be a gay, successful, proud artist who is celebrated is not only important but necessary.

Weslo: In the song FAG, you throw shade on haters who had issues with you being your authentic gay self growing up. Only by being true to yourself have you been able to reach this level of success. Can you speak on why being yourself is so important? Especially for the youngsters out there…

Todrick Hall: I had the privilege of playing the role my mentor Billy Porter played, which was Lola for Kinky Boots on Broadway. It was a life-changing chapter in my life. There’s a line in that show that says, Be yourself, everyone else is already taken. When I was learning the lines, I was basically trying to put them in my memory like a computer chip and then one day I said the line and it clicked. That one line had so much power to me. I think we as humans are taught to conform but I think that embracing the things that make you different was hard for me, but everytime I did it, it’s what helped me stand out. 

Weslo: You have worked with so much celebrity talent including Ru Paul and a myriad of fabulous queens… Spill the tea..., if you could collaborate with any musical artist, who would it be?

Todrick Hall: I’ve worked with Beyonce already but she’ll always be at the top of my list. I love Cardi B, I think she’s hilarious. I've loved Nicky Minaj since Super Bass and Starship days so I’d love to work with her. I just think she’s iconic and no one can do what she does. I would love to do a song with Taylor Swift even though we’re really great friends. I hope one day it makes sense for us to do a song together that only she and I can do. That would be really fun. I’m a huge Nicole Richie fan, I know she doesn’t do music, I’ve never met her. She’s probably the one person on the planet I would fangirl over if I met her.  

Photography by: Adrian Lopez

Weslo: Any new music coming out we Should be looking out for? I’m already excited about The Femuline Tour.

Todrick Hall: I have been in the studio non-stop making bops for my fans. I can say without a shadow of a doubt that next year, 2022 will be the most music and visuals people have ever gotten from me as far as personal music as an artist. I’m really excited about the next chapter and era of Todrick and I think next year is going to be a huge game changer for me and my team. 

For more information on The Femuline Tour visit: www.todrickhall.com

EXCLUSIVE INTERVIEW- BRAD PRITCHETT Co-Chair BLACK TIE DINNER 2021

By Wesley Smoot

WESLO: Today, I’m with Brad Pritchett, style-icon and co-chair of Black Tie Dinner. How are you today?

Brad Pritchett: I’m fabulous now that that intro’s out there. Hahaha… That’s wonderful, Thank you.

BRAD PRITCHETT Co-Chair Black Tie Dinner 2021

WESLO: For those who don’t know, BTD is a non-profit annual event that raises money for LGBTQ organizations that do incredible community outreach. How fulfilling is that?

Brad Pritchett: It's probably the most fulfilling thing I have done in my career so far.

WESLO: Before we go into details about the 40th Annual Black Tie Dinner (Nov. 13, 2021), I wanted to talk about the history of Black Tie. I know it has very humble roots starting in 1982 and raising $6,000.

Brad Pritchett: Yes! At the Fairmont Hotel in Dallas, with less than a couple hundred people attending. The founding fathers are still around today and will be at the dinner. And yes, $6K was raised for the Human Rights Campaign in 1982, we’ve now taken that $6,000 and surpassed the $25M mark.

WESLO: That is incredible! What can you tell us about some of the beneficiaries of Black Tie Dinner?

Brad Pritchett: So all of our beneficiaries are vetted through the board of directors, they all have to be LGBTQ focused and they all have to be North Texas. We have up to 20 of those every single year. Now in addition to the local beneficiaries, we have a national beneficiary, which is the Human Rights Campaign Foundation.

Black Tie Dinner 2021 Beneficiaries

WESLO: Of course, none of this is possible without the support of generous sponsors, can you speak on the importance of these partnerships?

Brad Pritchett: Oh my Gosh! There is a sense of corporate citizenship right now in DFW that is unlike anytime in my career. Where I think companies are realizing that you have to put the money down, put the money where your mouth is and really put some resources behind EDI efforts. Black Tie Dinner being one of those. This year our presenting sponsor is PNC Bank, which without them, we cannot do what we do. Really we couldn’t do what we do without all of our fabulous sponsors. This year we were worried about COVID-19. We’re really just trying to get back in a normal setting, with a normal in-person dinner. We have been overwhelmingly surprised with the amount of corporate and individual sponsorship participation this year.

Presenting Sponsor PNC Bank

WESLO: Black Tie Dinner also recognizes those who have made significant contributions in the fight for LGBTQ Equality with multiple, prestigious awards. Why is it so important to recognize these individuals, organizations and businesses?

Brad Pritchett: Yeah, so we weren’t able to get to the 40th dinner without standing on the shoulders of the people that have laid the road before us. So the opportunities here with these awards is to really shine a light on the work they have done, individually to get us here, and whether that being through their work as a celebrity in the media or as a volunteer here locally, or their work on a larger LGBTQ scale where you can tell what they do truly is selfless and they want and actually care to give back. Those are the people we recognize.

WESLO: Let’s get into this years’ 2021 event. This is the 40th annual Black Tie Dinner, how exciting is that?

Brad Pritchett: OMG! It’s so freaking exciting. I get goosebumps when I talk about it. and the fact that it's literally this weekend gets me even more giddy.

WESLO: This year, we see an incredible line-up of entertainers and speakers including Shangela from Ru Paul’s Drag Race, Queer Eye’s: Bobby Berk, Comedienne Dana Goldberg, Emmy Award Winning actress Niecy Nash, singer/song-writer Toddrick Hall, and my favorite RPDR judge, Michelle Visage… I just lost my breath. These are huge stars! Can you go into the process of how you select the line-up?

Brad Pritchett: It’s a daunting and scary process, I will tell you because there are moments when you feel like you don’t have anyone and there are moments when you put a 150 feelers out there and you know we as a part of a 501c3 non-profit, we don’t pay these people, they come out of the kindness of their heart. We don’t have budgets sitting around to shove thousands of dollars at these folks to actually accept their awards and speak at our dinner. We hope that they would do so not only to be recognized, but because they care about the LGBTQ community and they do. It’s a year long process. We started vetting these people a year ago. There were moments when we had only one, or two, and as we shape up and get closer to the dinner, now we are honored with this plethora of people that is now a stellar line-up.

WESLO: Anything you’re especially excited about this year?

Brad Pritchett: You know I’m really looking forward to some surprise moments we have built-in to the program to commemoratively give a nod to our past. We would be remiss to not take this 40th moment and really say, hey let's recognize where we've been while celebrating where we’re going, but let's really recognize where we've been. So there’s moments in the dinner this year that will shock and surprise our audience.

WESLO: How can people get involved?

Brad Pritchett: There are so many ways you can get involved. I would encourage someone to check out www.blacktie.org , that's our website. You don’t have to have a $400 ticket or be a corporate sponsor to come to our dinner, there are so many other entry points. Obviously buying a raffle ticket that goes to support our beneficiaries is a great option. You could even win a Mercedes Benz. Anyone can play in our auction launching this Friday online. You don’t even have to be present to bid. Last year, we launched our peer to peer giving campaign called Black Tie Ambassadors, so anyone can be an ambassador. You can set up a page, you can fundraise, you can donate $5, you can donate $500… Every thing helps and everything goes straight to our beneficiaries. I think that now we’re at a point with our organization that it’s not just for the “Rich People'' who enjoy coming to galas, it truly is for everyone who wants to be involved.

Brad Pritchett and Terry D. Loftis Black Tie 2021 Co-Chairs

EXCLUSIVE INTERVIEW- GINA CHAVEZ Austin City Limits 2021

Interview by Wesley Smoot

Weslo: Hey Queens, Wesley Smoot coming to you live from Austin City Limits 2021, I’m here with Austin’s own, award-winning, singer/songwriter, Gina Chavez. How are you? How’s your ACL?

Gina Chavez: Awesome! Glad to be here.

Weslo: How was your performance?

Gina Chavez: Oh my gosh, we slayed it!

Gina Chaves ACL FEST 2021- PHOTO CREDIT Charles Reagan ©Charles Reagan

Weslo: You really did!

Gina Chavez: Yes!

Weslo: I love it. It’s great seeing that ACL brings in local talent, but you’re also a Latin Grammy nominated artist and proud lesbian.. that said, there seems to be a lot of great LGBTQ representation this year. Can you speak on that? The importance of LGBTQ representation?

Gina Chavez: Of course, as we all know, representation does matter. I will say, ACL is not targeted directly to nor marketed as an LGBTQ festival, so I do like to think being part of the line-up has more to do with me being an exceptional musician. I will say, the organizers did a great job this year bringing in all kinds of artists. That will always be important. There are a lot of queer messages in my music, I talk about my relationship with my wife. Ultimately, I hope we’re just making good music that connects with people.

Gina Chavez Press Lounge ACL Fest 2021

Weslo: Yasss!!! I have to tell you, last night, we were partying, drinking some tequila and jamming out to “La Que Manda…”

Gina Chavez: Yassss!!!

Weslo: If you haven’t heard this single, Im putting a link at the bottom. It’s got this amazing, funk/Latin fusion sound, super high energy, but also a very important message. Can you speak on that?

Gina Chavez: Sure. I think the short version of La Que Manda, and for those who don’t know what that means.. it’s basically a woman in charge. She-Boss, Boss-Babe, Boss-Bitch! hahahaha… It’s very much a song about the power women have. I think for me, I have come to a point after traveling and being in places from Japan to Saudi Arabia, Jordan and all over Latin America, that its unfortunate, almost ubiquitous that from the time we’re born, girls are asked to be very small, to be quiet, be pleasing, smile, be polite and grateful. It’s not “lady like” to ask for more and especially demand more- To know we are more and La Que Manda is basically a reckoning with me understanding the world asking me to be small.. and while I been angry at that, I’m sad I ever believed it. For most of my life I believed that was my place. So this is a song that says “F” that. I’m so much more than the little box the world gave me. And every woman is so much more, every person is so much more. How much better of a world would we have if we could all live to our fullest potential? The song is literally meant to be a sacred cry of the power within us.

Weslo: And you can rock out to it with some tequila!

Gina Chavez: Yes! Hahaha… And tequila can help you on that journey of discovering your power.

Weslo: Speaking of female empowerment and strong messages, Niñas Arribas… This is a project you and your wife, Jodi Granado started, can you tell us more?

Gina Chavez: Yes! Also, I like that you’ve done your research, that means a lot. I was a journalism major, used to being on the other side of the interview, So thank you. Before me and my wife we were married we did mission work in El Salvador, living with nuns through a catholic volunteer program. Our lives were forever changed by the people and the love we received. So much so, we wanted to continue connecting. Jodie, my wife thought of starting a college scholarship fund. We talked to the young women we taught and learned they all wanted to go to college but couldn’t and here we are now 11 years later.

Weslo: Incredible work! What’s it like running an organization like Ninas Arribas with your wife.?

Gina Chavez: Well, she’s also my manager…

Weslo: Oh God! I don’t know if I could handle that with my hubby. We’d kill each other.

Gina Chavez: It can be a lot (laughing) but we’ve been together for 16 years.

Weslo: Wow! Congrats. Is there anything else can you tell us about Ninas Arribas since it started?

Gina Chavez: Definitely… We fund high quality, low cost private education for young women in El Salvador. We have to date four graduates, we also have a paid internship program for after graduation. We all need champions, people in our lives that can open a door for us and that’s what we do for these young women. We give them an opportunity.

Weslo: You really bring your music into real action. Thank you for everything you do. Do you have new music coming out?

Gina Chavez: Yes! I have a remix of our song “She Persited”, it’s destined to be a Gay Pride anthem. Be ready to throw on your rainbows and glitter and get fabulous! We have a music video coming out November 5th, it will feature queens from Ru Paul’s Drag Race and yours truly in drag.

Weslo: Oh my God! I can’t wait to see! Ok, so last question, who are some of your favorite queer artists? Is there any one we should be looking out for?

Gina Chavez: You know, when I think about those who have become heroes, for me like a Brandi Carlile, she’s been on the scene for a while and is finally getting the recognition she deserves. A pioneer in what it means to be your true self. She’s such a hero of mine. Ani DiFranco, was someone who started my whole song-writing career and before I knew I was a lesbian. I should have known, right? hahahaha… Then there’s people like, Kany García, who has made huge waves in the Latin sphere. For those like her I think it can be difficult to come out as a queer artist in Latin music. Jesse & Joy are another.

Weslo: It seems like there is a big movement, especially for people of color to come out and be proud of who they are.

Gina Chavez: I agree. It’s our time!

Weslo: Well, thank you for taking the time to speak with us. I look forward to hearing more of your music and can’t wait to see the She Persisted music video November 5th.

Gina: Thank you, and thank you for doing your research. Again, means a lot.

Gina Chaves ACL Fest 2021- PHOTO CREDIT Charles Reagan ©Charles Reagan

ACL FEST 2021- BEING HEARD AT MUSIC FESTIVALS

By Wesley Smoot

Photo Credit: Roger Ho

When you think of music festivals, you might think: headliners, huge crowds, fun costumes, overpriced drinks, perhaps creating unforgettable memories with your closest friends… This is often the case for most of us. So, while organizers work tirelessly to make their events stand out, what else could be missing?

HBO Max’s 2021 documentary showed us the tragic events of Woodstock ‘99 in a chilling story (Woodstock 1999: Peace, Love, & Rage) that ended in arrests, bloodshed, and eventually a bunch of angry white men setting the whole damn thing on fire. With multiple cases of sexual assault and even preventable deaths, this was the perfect example of toxic masculinity at its finest.

Was it the perfect recipe for the events that took place? Could it have been avoided? Again, what was missing?

An obvious solution, Diversity.

Music festivals, including ACL have been booking talent with large LGBTQ fanbases for some time. In previous years, ACL has brought us LGBTQ icons like Robyn, Lizzo, Megan Thee Stallion, The Cure, and more. While I personally love these performers, I’m eager to see more talent that actually identifies as LGBTQ.

Could ACL do a better job of booking more diverse, or specifically more queer artists to their line-up? I’m happy to say, they have and they did… an absolutely, fabulous job!

Photo Credit: ©Charles Reagan

Austin City Limits 2021 was a milestone of inclusivity, From having their first ever drag performer, Trixie Mattel on the Tito’s Vodka Stage, to hosting Spanish speaking acts like Gina Chavez and Karol G. Representation seemed an obvious goal for this year’s organizers.. and bravo to you! Please don’t think this goes unnoticed.

Trixxie Mattel ACL Fest 2021 Weeked 2- Photo Credit: Alison Narro

Norway native, singer/songwriter, and proud lesbian, Girl in Red brought a considerable audience to her stage. (Look her up!) As a fan, I was a pleasantly surprised to see the crowd her performance attracted. Lead singer, Marie Ulven Ringheim told audience how she almost cancelled her ACL performance due to Texas’ Governor Greg Abbott’s horrific abortion law that passed earlier this year. She stated, “It wouldn’t be fair to skip this opportunity, I know many of you don’t agree with what’s happening… by performing here, I want to show support to those who don’t follow the Governor’s outdated views on something that most of the civilized world has moved past.”

Girl in Red ACL Fest 2021 Weeked 2- Photo Credit: Alison Narro

It’s worth mentioning country music star, LeAnn Rimes opened her song, Love is Love is Love by talking about her early, personal experience with LGBTQ acceptance. Non-binary, North Carolina based, Future Islands gave an unforgettable performance that will leave me a diehard fan. Erika Badu… well, she’s Erika Badu. Who always delivers gold. But what about the attendees?

A considerable number of rainbow flags and queer statements proudly worn by LGBTQ attendees, including myself and our very sexy group, was peppered throughout the vast audience. We experienced moments where straight-allies asked for photos with us and our rainbow flag. This meant a lot, or least to me. Hearing words of love and encouragement never goes unappreciated. We see you allies!

Future Islands ACL 2021 Weekend 2- Photo Credit: Charles Reagan

To wrap it up in a real cute bow… I can honestly say, what I witnessed is real progression. While I’d love to see acts like Toddrick Hall, Kameron Ross, and even Ricky Martin take stage, I can’t help but wonder what’s in store for next year and if other music festivals will follow suit.

I say, keep marketing to us, with us. Keep it diverse & inclusive and we’ll keep coming back. As someone who lived in Austin, Keep Austin Weird is something the LGBTQ community has always contributed to. Thank you for seeing us, and you can count on seeing me next year.

-Wesley Smoot

Unleashed LGBTQ

Photo Credit: Alison Narro

America's 1st Openly Gay Black Tennis Pro

Lendale Johnson

"So proud of you and all you've accomplished. Keep inspiring others, and keep going for it."
- Billie Jean King Twitter

Lendale Johnson is America’ 1st openly gay professional (ITF Pro Circuit) tennis player since the sport turned professional in 1968, star of “Deuces And Love” on Amazon Prime, actor, model, & Head Pro and Director of The Johnson High Performance Tennis Academy. A celebrity and public tennis academy based in New York.

He’s connected with stars such as Katie Holmes, Billy Porter, Jason Issacs, Vivica A. Fox, Jason Biggs, James Blake, Venus Williams, Claudia Jordan, Jon McLaughlin, Gabrielle Union, Drake, & more.

Born in Kalamazoo, MI tennis has been a part of his life since childhood as the USTA Boys Nationals are held at K College annually, which offers singes & doubles winners the opportunity for direct entry into The US Open. He is currently the WalkOff.co.uk Ambassador and recently became the Ambassador for Athlete Ally.

His talents have been recognized by producer/director "Lee Daniels" after Lendale was cast in the pilot episode for Fox TV's new Hip-Hop Series "Empire," which debuted in January 2015. He was auctioned off in to the public in Chicago, IL at the 2015 "Fifty Shades of Grey" celebrity charity auction for American Heart Association. Lendale is on the cover of Attitude Magazine's 2021 April issue printed globally, available in Barnes & Nobles everywhere. Lendale loves helping out the community as much as possible.

Fashion icon "Tyra Banks" acknowledged Lendale after his interview with CW7 for America's Next Top Model Cycle 21 and iconic celebrity judge "Miss Alexander J" named him "Fierce", a dream come true for many models around the world. Look out for his upcoming reality tv show “Deuces And Love" on Amazon Prime in 2021.

The Globetrotter Guys (UK) Interview with Brandon Schultz (US) Forbes.com

The Globetrotter Guys, Ben & Sion, join Brandon Shultz of Forbes.com to discuss gay travel- From the hottest LGBTQ spots around the globe, to less progressive destinations where being precautious about even showing affection is an unfortunate must. Also, how companies are using pink washing to attract the Lgbtq dollars. Find out more in this exclusive interview. #unleashedlgbtq

STEWART TAYLOR IS TAILOR-MADE IN “COVER BOY”

HIS NEW SINGLE AND MUSIC VIDEO

Stewart Taylor’s “Cover Boy” is a modern pop track with a seventies’ throwback vibe about falling in love, knowing your self-worth in a relationship, and not playing mind games along the way. Produced by DWhit and co-written by Taylor with his longtime collaborator Benjamin Samama, the song also draws inspiration from bold men who take chances with their style and aren't afraid to be both masculine and feminine, glamorous and rough around the edges. “James Dean, Marlon Brando, Harry Styles, and Timothée Chalamet are by far my favorite cover boys,” says Stewart Taylor. “I've always had a soft spot for the old school, brooding, classic Hollywood types.”  Stewart Taylor’s “Cover Boy” is being distributed independently and is available on Apple Music, Spotify, and all digital platforms.  Its video is available on YouTube.

“I was inspired to write ‘Cover Boy’ after landing my first magazine cover for my last single, ‘Mess Your Hair Up’,” Stewart Taylor continues from his Los Angeles home.  “I had just started dating someone new and the idea came to me when I felt like he wasn’t making enough of an effort to take things to the next level. I wanted to be his cover boy. I wanted to be front and center; the starring role in his life. The relationship didn't end up working out but it was a great premise for a song!”

“Cover Boy” expands both sonically and vocally from Taylor’s previous release, “Mess Your Hair Up”.   “I've evolved a lot as an artist over the years. I’ve tried on different sounds and outfits, stripped those things away, started over, and have rebuilt and rebranded myself into what I feel is the most authentic me in the moment.  I've come into my own with my music, dance, and fashion and everything I do now is a lot more influenced by funk and R&B while still staying very pop.”

Stewart Taylor sings in a sexier, lower tone on “Cover Boy,” reminiscent of early Robin Thicke.

The music video reflects his evolution as an artist. Directed by Brad Hammer and styled by Kiki Xtravaganza and Kályd Odeh, the video is vintage, stylish, flirty and joyful. Taylor turns out many different looks from Guess, Versace, and Chanel; surrounding himself with old vintage magazines, Polaroids, and a stereo from 1982. He even dons a triangle jacket that pays homage to Madonna and the movie Desperately Seeking Susan. 

“I love bringing little moments from the past and carrying them into the future like that in videos. Hopefully some of the hardcore Madonna fans will get the reference!” 

Stewart Taylor is an LA-based singer, songwriter, dancer, and MMG model. He grew up in a small town outside of New York City, where he began writing songs and performing in local talent shows and Lower East Side clubs. Since graduating from Berklee College of Music in Boston, he's collaborated with Grammy-nominated songwriters and producers Charlie Puth, (Wiz Khalifa) Kara DioGuardi, (P!nk, Katy Perry) Jayson DeZuzio, (Imagine Dragons) and David Pramik (Selena Gomez).

In addition to writing for himself, Stewart Taylor has penned songs for Romanian pop star Antonia and American Idol's David Hernandez. He is an active voice in the LGBTQ+ community and his coming out story was featured in the New York Times bestselling book, It Gets Better: Coming Out, Overcoming Bullying, and Creating A Life Worth Living.

“I struggled through this last year of pandemic,” he reveals, “but I'm coming out of it wiser and more driven to succeed than ever before.  I’m not waiting in the wing for the industry to shine its stage light on me.  Nor am I going to wait on the side while some guy decides whether or not he wants a real relationship.  My time is valuable and I’m not wasting another second.”

Stewart Taylor’s “Cover Boy ” is available on Apple Music, Spotify and all digital platforms.   Its video is on Youtube at https://www.youtube.com/watch?v=numGLNO6B7c.  Visit www.stewarttaylorofficial.com.  Follow on Instagram @  imstewarttaylor.

Tom Goss and Actor-Turned-Rapper Daniel Franzese Celebrate Plus-Sized Gay Geeks with Fuzzy Cheeks in Nerdy Bear: The Remix

Last summer, Tom Goss paid homage to the subset of plus-sized gay men that enjoy superheroes and video games with his smash anthem, “Nerdy Bear.” Now he returns with “Nerdy Bear: The Markaholic Remix,” a reinterpretation of the song from the bear’s perspective, featuring brand-new rhymes by the gay community’s ultimate nerdy bear, Mean Girls and Looking actor Daniel Franzese. “The remix was my idea,” says Franzese. “When Tom’s original came out last summer, I was like ‘OMG, it's about time we got an anthem of guys pursuing us in song. We should do a remix of this track where the bear responds that he’s down to party—and I should rap on it!’”  Tom Goss’s “Nerdy Bear: The Markaholic Remix (featuring Daniel Franzese)” is available on iTunes, Spotify and all major digital platforms. Its music video is on YouTube at https://youtu.be/ymiXYYHrM1k. 

The friends have worked on several projects together over the past few years. Most notably, Franzese played Tom’s husband in a series of videos from the singer’s Territories album. “It’s always fun to work with Danny and at this point it seems like we’re just making up opportunities to work together,” Goss laughs.

The original “Nerdy Bear” is a pop track, with a big, snappy sound, an infectious melody, and a sultry R&B vibe. The remix—by LA-based producer Markaholic
(RuPaul, Trixie Mattel, Willam Belli)—raises the BPMs and adds slick and seductive rhymes written by Franzese. He wittily weaves explicit sexual connotations into many of the popular arcade games from the 80s, as in: “If you like whips and chains, we can do the Double Dragon,” referencing the martial arts game. He continues with “I’ll follow you down your Oregon trail and hitch on to your wagon.”

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He makes similar playful associations with the shapes from Tetris, the cherries in Pac-Man and the mushrooms in Mario Brothers. The idea is not just about getting laughs; it is meant to convey the confidence Franzese and others in the gay bear community have built by not only accepting their girth, but embracing it. “It’s fun to find unique ways to amplify body positivity and happiness,” says Franzese.

Michael Serrato (Big Gay Sketch Show, Neil's Puppet Dreams), Goss’s long-time collaborator, who directed the original “Nerdy Bear,” returns to direct the remix version. “I always love the movement and cheekiness Michael brings to a project,” Goss reflects. “He can always make me smile.”

Goss brings a few smiles of his own in the video, debuting his stripper moves. He’s not quite sure where he learned them. “I guess years of taking off my clothes to try to get people to listen to my music,” he jokes.

Tom Goss was 22 and in seminary, training to be a Catholic priest, when he realized his strong attraction for plus-sized men, known as "bears" in the gay community, and nerdy ones to boot. “‘Nerdy Bear’ is authentic to my experience and relays my unique perspective that beauty doesn’t fit a standard mold,” he says.

Tom Goss’s “Nerdy Bear: The Markaholic Remix (featuring Daniel Franzese)” is available on iTunes, Spotify and all major digital platforms. Its music video is on YouTube. 

Visit http://tomgossmusic.com

Follow Tom on Facebook, Twitter, and Instagram @ tomgossmusic

Jeremy Pope on making cover of OUT Magazine PRIDE Issue

By Daniel Reynolds
Jeremy Pope is the cover story of the new Pride issue of Out magazine. In it, the Emmy-nominated actor (Hollywood, Pose) discussed his journey of coming out as a Black gay man in the entertainment industry and beyond. 

PHOTOGRAPHY BY SOPHIE CHAN ANDREASSEND

 “There’s just a tricky way in which you have to move, especially in an industry that is predominantly white,” says Pope. 

“Black men, I feel like a lot of times, our masculinity is our armor,” he says. “We’re meant to be built strong and tough because we’ve had to endure so much. So when you tell someone that you’re gay or you’re queer or you identify within the community, it’s like, do you lose that badge of honor? Do you lose that respect? Do you lose your safety because people feel like you’re vulnerable or you’re fragile?”

Additionally, Pope’s father, a pastor, is “extremely hypermasculine,” he shares, but the pair had a close bond. “I didn’t want to lose that dynamic,” he says of his early coming-out fears.  

PHOTOGRAPHY BY SOPHIE CHAN ANDREASSEND

“I watched so many of my cousins and a lot of my Black friends maybe not have a relationship with their father.” There was also the church community to consider. “There’s an image that you have to uphold,” Pope says, adding, “You feel like you can’t make mistakes, because you are the example. You are the first family, especially in the Black community — what everyone is striving to essentially be, or your relationship to God is supposed to feel the closest.” Happily, he is he now closer than ever to his family after coming out.

Pope also self-directed his gender-fluid photoshoot of himself wearing a fishnet and pearls. Doing so is proof of “how far I’ve come.” He can now show the world that his body “can be lucid, it can be free, it can be broken, it can be masculine, it can be feminine, and…I’m allowed to possess all of those things.”   

PHOTOGRAPHY BY SOPHIE CHAN ANDREASSEND

“A couple of years ago, I would have been scared to be on the cover of Out,” he says, "but now, it feels like a whole different season and a whole different journey.” 
Full story: click here

LUCAS LEON: ANDREW CHRISTIAN’S TROPHY BOY OF 2021

Article written by Alexander Rodriguez, host of On the Rocks with Alexander

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Eyebrows, and more, started to rise as adult film star Lucas Leon started to pop up in the Instagram stories for Andrew Christian. With a chiseled, handsome face that rivals any telenovela star, a muscled body with perfect pecs, a light sprinkling of body hair in all the right places, and a mischievous grin that could charm a nun and seduce the saintliest of gays at the same time, it is no wonder that Andrew Christian, the Patron Saint of Men’s Underwear, has chosen Lucas as Breakout Trophy Boy of 2021.

So what does it take to become an Andrew Christian Trophy Boy? According to Andrew Christian, it’s more than just a great body and full package:

An Andrew Christian Trophy Boy is a brand representative and must be aware of the image they are projecting. We look for a diverse group of boys that will uphold the Andrew Christian name but show the diversity within our community. There’s a big responsibility with touring the world, getting to know fans, and not only being a face but an entire lifestyle of the brand. All of the boys have strong personalities that are magnified through this role and it is important that they are always professional and appreciative of the experiences they’ve been blessed with. Trophy Boys are positive influences in the world and show love for themselves and the greater community.

You may have seen the Trophy Boys in person during Pride, nightclub, or pool events around the nation. They do have the reputation for causing a little mischief and maybe some romance drama from time to time, but their personalities and charm have established the Andrew Christian blog and YouTube channel as the barely safe-for-work fun place to play. Lucas Leon has some big shoes, or rather pouches, to fill as we look back at the Trophy Boys before him.

Cory Z is Andrew Christian’s longest-running model and has participated in the most touring Trophy Boy events as host, model, guest bartender, and even singing. He is a Stoli Key West Cocktail Classic Champion and has been seen on E! What Happens at the Abbey and MTV’s Ex On the Beach. While some may call him a trouble maker, we call him just plain sexy.

Arad is so hot, his last name says it all - Winwin. Arad fled Iran in search of a better life through the United Nation Refugee program. He arrived in Dallas with $300, huge biceps, and those brilliant eyes, and started working as a model and go-go dancer and then quickly became a fan favorite in the adult industry, finally becoming an Andrew Christian Trophy Boy. He is proof that there is a better life and continues to spread hope for anybody who is in an oppressive environment looking for freedom and happiness.

It’s hard to believe that Nick Masc has been a Trophy Boy since 2016, as his presence in the Andrew Christian world is just as fresh as when he first started. Yes, the boys love his pecs but it’s his personality that has really set him apart as one of the most familiar faces (and booties) of Andrew Christian. A determining factor to the 2016 competition was online personality – he nailed it. His Instagram is a perfect blend of glossy modeling shots, goofy selfies, and naughty teasers. You never know what he’s going to say, or who he’s going to “date” next.

A night with Trophy Boy Walker will probably put you in a walker. He is a force to be reckoned with and has an endless list of accolades. He has toured with Nicki Minaj and Justin Timberlake, and appeared on The People’s Choice Awards, and most recently the 2021 Superbowl Halftime with The Weeknd. When Walker steps into the camera lens, you see the dancer in him spring to life, giving us angles and serving face for days.

When looking for new Trophy Boys, Andrew Christian looks to have a diverse group with everyone bringing something different to the table. Hailing from Brazil, Lucas moved to the US with his family as a teenager. Putting the gay in gaymer, he was a self-proclaimed high school geek. (Geeks looked much different when I was in high school). Falling in love and being young and naïve, he moved his whole life to the West Coast with his ex-boyfriend. The relationship didn’t work out, but his career sure did. Feeling confident and embracing his sexuality, he started sending pictures to adult film studios at random. It wasn’t long before he got swept up into the adult film world and became a quick favorite. He’s quite, pardon the pun, well rounded and his films fit in over 32 categories of themes – whatever your pleasure is, he’s probably filmed it.

As his social media fandom took flight, Andrew Christian took notice:

Lucas first caught our eye on social media with his extravagant cosplay mixed in with his boy next door looks and secret pornstar identity. Lucas was invited to be part of the Andrew Christian team at RuPaul's DragCon and showed us what he’s all about.

COVID has certainly changed the gay nightlife experience and will alter Lucas’ Trophy Boy coming-out parties. Until it is safe to venture out, AC has turned its focus to more interviews and alternative events, especially virtually. But once the world gets the green light, Lucas will tour around the globe visiting various pride events and working with Trophy Boy VIP Card partners. During COVID, Andrew Christian has partnered with over 100 brands worldwide to bring exclusive offers to the fans via the Trophy Boy VIP Card, so that they can feel like the Trophy Boys they are.

I chatted with Lucas for this exclusive rapid-fire chat where we chatted about his past, the adult industry, becoming a Trophy Boy, and what his type is – you may be surprised!

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What do you miss most about life in Brazil?

I miss some of my friends and how warm and affectionate most people are.

What was the hardest to get used to in moving to the US?

It wasn't that hard to adapt, the hardest part was holding back when it comes to kissing and hugging strangers after you just meet them!

You moved to the West Coast for a boy! Are you glad you moved here? Would you ever move again for a boy?

When we are young in love and stupid, we do crazy things sometimes but hey, some good things came from it. I do like the West Coast a lot. Los Angeles is very urban and diverse, which I love, but I’m definitely gonna miss dressing up all pretty like I did during those New England fall months.

How did you get used to all the thirsty comments on your social media pics?

I mean, the thirsty comments are usually good feedback that I’m pleasing the audience, I love that.

What made you want to get into the adult industry?

I thought I looked kinda cute and the money is good so... why not? You get to meet all different sorts of people and travel to different places, so that’s great!

What was your first adult scene? What was it like on your first day?

The plot was wild, lol! My brother-in-law just broke up with my sister so I thought that I could cheer him up with a blowjob... hahaha! I was quite nervous at first, but you get used to it.

What do you love most about filming a scene?

I love the camera and the idea of all eyes on me, it’s kinda hot, to be honest.

What do you like the least about filming a scene?

When we have to cut to adjust. I like it when it’s more natural.

What kind of guy do you find attractive in real life but never get paired up to film with?

Big strong, very hairy bears - they're my favorites! But I’m never paired with them - boo!

You are single - how should someone approach you to flirt with you? What do you find the cutest about someone?

It’s easy - talk about videogames, Japanese culture, or anything geeky, those are my favorite things. I think it’s super sexy when guys are nice and caring, it's a big turn-on.

How did you come up with your porn name?

That's quite an interesting story. One of my good friends is named Lucas and I wanted the name to have some connection to my gaymer and geeky side...so Leon is actually the name of a character in the Kingdom Hearts series who’s originally from Final Fantasy 8.

What was your first reaction when you found out that you were the newest Andrew Christian Trophy Boy?

I was shocked and super excited!!! It’s always so much fun working with Andrew and being the 2021 Trophy Boy is a huge deal! It’s really an honor to have been the one picked this year!

What does being a Trophy Boy mean to you?

I feel like, as a Trophy Boy, I should try to convey a sense of embracing and celebrating yourself. Geeky things were not very trendy amongst the popular kids when I was growing up, so it’s really cool knowing that even a videogame nerd can be a sexy Trophy Boy. : )

Which one of Andrew Christian's underwear do you love the most?

I do love briefs the most! Most people would say jocks, but I think briefs make my butt look super sexy.

If you were to design a pair of Andrew Christian underwear, what would they look like?

It would be a cute pair of briefs, either red, pink, or black with geeky elements like joysticks and manga books all over it.

What do you do differently in the bedroom that you don't do on camera?

Top! (Just kidding, I don't do that at all hahahaha!) I'm a big fan of puppy play.

You LOVE gayming! What is your favorite recent game?

My favorite game right now would be Final Fantasy XIV. I’ve played so much during the lockdown it’s not even funny hahahaha!

Are there hot guys in the gaming world?

There are tons of us, we just hide in our gayming caves every once in a while so it’s hard to find us. We are like rare Pokemon! LOL!

If you were to create a video game, what would it be called and what would it be about?

It would be probably a fantasy JRPG that mixes a lot of elements of sci-fi and magical girl anime, set in a digital world. The characters would be 3 E-girls that get trapped in a digital world and it would probably be called E-girl Fantasy… wait, I might have to think on the title a little bit more cause that sounds like the title of a porno, hahahaha!

Who is your celebrity COVID crush?

Right now, Ben Affleck. He was giving me teddy bear daddy looks in the last movie he was in, woof.

Follow Lucas on Instagram: @_potatosenpai

Find out more about the AC Trophy VIP Card: https://www.andrewchristian.com/blog/category/vip

John Duff Releases “I Hate L.A.” Single and Music Video

Singer Rebrands ‘City of Dreams’ as ‘City of Living Beyond Your Means’

John Duff’s sings about his disdain for consumer culture in “I Hate L.A.,” his new mid-tempo pop anthem. “L.A. is a city that profits off of people not feeling good about themselves,” he laments. “It isn’t about Los Angeles, though - it’s about what Los Angeles represents ideologically. It’s about the product being sold - all in all, it’s about lack mentality.” He says it’s easy to feel less than when comparing yourself to others; and not just for regular people like him. When he looks up into the hills and sees the thirty-million-dollar mansions, he knows that the people living there aren’t content either. “They want to be Oprah!” Co-written with Aaron Pfeifer and produced by Koil PreAmple and Daniel Schaub, John Duff’s “I Hate L.A.” is being distributed independently and is available on Apple Music, Spotify, and all digital platforms. Its video is available on iTunes, Vimeo and on YouTube.

“I wanted to create something out of my negativity that sounded anthemic and proud,” John Duff continues about “I Hate L.A.”. “We all have negative thoughts; that isn’t unhealthy or unusual. So long as you don’t judge yourself for your feelings, there’s no inherent problem.”

Duff directed the “I Hate L.A.” music video with Brad Hammer, who has a far less hatred of the city than Duff. It was important to John that the video depict the city as he sees it. “I didn’t want the video to be about people doing coke, or the Kardashian’s; we’ve seen that, and it’s tired. I wanted the video to catch the reflection of the glaring hypocrisy. L.A. is a paradox. It’s this liberal paradise with the grossest wealth inequality. It’s morally corrupt.”

Duff set out to glamorize his perceived ugliness of Los Angeles. Every image in the video is layered with symbolism; such as when John is laying on Astroturf, dressed as a rhinestone cowboy, puffing on cigarettes while surrounded by healing crystals. In another scene, he is sticking out of a $130,000 G-wagon filled to the gills with plastic bottles from fancy juice places, wearing an “I Voted” sticker.

The painted face scene is a nod to the city’s beauty influencers, an industry that ranks low in Duff’s estimation. “I think marketing ‘facial improvement’ to children is kind of gross. To each their own, I’m sure people disagree with me. They should make their own music video about that.”

John Duff grew up in a suburb outside of Baltimore, Maryland. He studied musical theater at Syracuse University and after graduating college, he made his way to the bright lights of New York City. After six years in the Big Apple, he moved west to Hollywood to pursue his artistic dreams. He has been in Los Angeles for four years and has released several outrageously gay smash singles including “Hokie Pokie” and “Girly.”

“I encourage listeners to extract from “I Hate L.A.” what they want. If they simply want to hear it as a fun pop song with a colorful video, great. If they want to listen to the lyrics and read into the symbolism in the video, that’s cool, too. Either way, my job is done, so take whatever you want; just remember to tag me!”

John Duff’s “I Hate L.A.” is being distributed independently and is available on Apple Music, Spotify and all digital platforms. Its video is available on YouTube.

Follow John Duff on Facebook and Instagram @ iamjohnduff